Peter Wedde Antiques
    Ceramics   

To view a high resolution photo of the item please click the item thumbnail ..
Please note that you MUST either turn off your "Pop-Up" blocker OR authorise this site.

ZD217 Royal Doulton Art Nouveau Stoneware Vases

A Good Looking  Pair Of Royal Doulton Art Nouveau Oviform Stoneware Vases Incised And Coloured With Rennie Macintosh Style Flowers On A Washed Blue Ground.

172mm High.

Impressed Factory And Other Marks, Circa 1910.

Perfect Condition.

Ridiculously Underpriced.

ZD216 Royal Doulton Art Nouveau Stoneware Vases

A Good Looking Pair Of Royal Doulton Art Nouveau Oviform Stoneware Vases Incised And Coloured With Rennie Macintosh Style Flowers On A Washed Blue Ground.

172mm High.

Impressed Factory And Other Marks, Circa 1910.

Perfect Condition.

Ridiculously Underpriced.

ZD215 Moorcroft Inverted Baluster Vase

A Large Walter Moorcroft Inverted Baluster Vase Decorated In Tube Line Enamels With Anemones On A Green Ground Shading To Blue At The Base.

310mm High.

Painted Walter Moorcroft Signature And Impressed Factory Marks, Circa 1950

Excellent Condition.

This Is A Large Moorcroft Vase For Very Little Money!

ZD218 Stephen Green Salt Glaze Flask

A Stephen Green Salt Glaze Stoneware Flask In The Form Of A Percussion Pistol.

235mm Long.

Impressed "Stephen Green Imperial Potteries Lambeth," Circa 1840.

Trigger Guard Lacking, Tiny Knob Missing From Hammer.

ZD219 Stephen Green Salt Glaze Flask

A Stephen Green Salt Glaze Stoneware Flask In The Form Of A Percussion Pistol.

235mm Long.

Impressed "Stephen Green Imperial Potteries Lambeth," Circa 1840.

Trigger Guard Lacking.

ZD136 18thC Newhall Porcelain Punch Bowl

A Large 18thC Newhall Porcelain Punch Bowl Printed And Painted In A Bright Famille Rose Palette With The "Boy In A Window" Pattern, The Base With Painted 425 Pattern Number.

284mm Diameter x 116mm High.

Circa 1800.

Big And Decorative, The Interior Decoration Rubbed, Especially At The Well, The Exterior Nice And Fresh With Little To No Rubbing, No Evidence Of Any Damage Or Restoration, Resonant To The Touch - Rings Like A Bell.

ZD161 Victorian Blue Ground Pratt Paste Jar

A Victorian Blue Ground Pratt Paste Jar Of Shakespearian Interest Decorated With A Portrait Of The Seated Bard Flanked By Figures Emblematic Of Comedy And Tragedy, The Reverse With Richard III, Romeo And Others.

103mm High.

Circa 1880.

Good Condition.

ZD162 Victorian Blue Ground Pratt Paste Jar

A Victorian Blue Ground Pratt Paste Jar Of Hunting Interest Featuring Printed Decoration Of A Side Saddle Lady, Hounds, The Jump And The Kill - Very PC! Not.

100mm High.

Circa 1880.

Good Condition.

CD1548 Late 19thC Chinese Crackle Glaze Vases

A Pair Of Large Late 19thC Chinese Crackle Glaze 2 Handle Vases Featuring High Relief Decoration Of Confronted 4 Claw Dragons Pursuing Pearls, The Reverse With Herons; Reign Marks Under.

365mm High x The Base 142mm Diameter

Circa 1880.

Both Extensively Repaired About The Neck - Make Great Lamps!

ZD193 Early 19thC Masons Ironstone Shell Shape Dishes

A Pair Of Early 19thC Masons Ironstone Shell Shape Dishes Printed In Underglaze Blue And Painted In Overglaze Enamels With Peony And Chrysanthemum In The Chinese Manner, The Handles And Edges Crisply Moulded With Acanthus Leaf And Scrollwork..

246mm Wide x 207mm Deep.

Printed And Impressed Marks, Circa 1830.

ZD171 Early 20thC Devon Motto Ware Jug & Cover

An Early 20thC Devon, Longpark, Pottery Motto Ware Jug And Cover Typically Incised Through A Cream Slip With "Whichever Way The Wind Doth Blow Someone Is Glad To Have It So."

The Base 83mm Diameter x 137mm Wide Across Spout And Handle x 184mm High.

Printed Mark, Circa 1920.

A Small Chip To The Spout, Otherwise Excellent Condition.

ZD7 Mid 19thC Famille Verte Heavily Potted Punch Bowl

A Good Mid 19thC Chinese Famille Verte Heavily Potted Punch Bowl Enamelled To The Exterior With Panels Enclosing Figures In Garden And Pavilion Settings Divided By Continuous Flowering Foliage And Beneath A Cell Pattern Border Interspersed With Panels Of Birds, The Interior Similarly Decorated.

292mm Diameter x 129mm High.

Late Qing, Circa 1850.

Tiny Rubbing To The Gilded Rim, Elsewhere The Overglaze Painted Enamel Decoration As Bright As The Day It Was Painted, No Damage Or Restoration Detected, Bears The Label Of An Early Wellington Trader - Robin & Co., For All Intents And Purposes Close To Mint Condition And Very Decorative. Rare On The NZ Market.

ZD87 Late Ming Swatow Blue And White Deep Dish

A Highly Decorative Large Late Ming Swatow Blue And White Deep  Dish, The Well Painted With Confronted Dragons, The Cavetto With Horses And The Rim With Alternating Panels Of Dancers And Islamic Script.

415mm Diameter x 98mm High.

Wan Li, Circa 1600.

The Islamic Script Indicating This Dish Was Made For Export To SE Asia To One Of The  Ruling Sultans, Possibly To Aceh At The Western End Of Sumatra. 

A Shallow 90mm Hair Line Rim Crack, Resonant To The Touch, Typical Encrusted Base. Fortunately Not Crazed Which Is Often The Case. 

Current Scholarship Has Established That Swatow, The Name Of The Port From Which These Wares Were Allegedly Exported, Is Not In Fact The Origin Of This Ware But The Designation Persists. Zhangzhou Would Be More Apt.

Swatow Ware Was Never Exported To Europe. The Indonesians However Value It Highly, It Being Passed Down Through The Generations As A Prized Heirloom. The Dutch, Also, Through Their Long Trading Association With Indonesia, Are Very Familiar With Swatow Ware And Appreciate This Less Refined Porcelain Of The Late Ming Dynasty.

ZD87 Late 17thC Chinese Porcelain "Kraak" Blue And White Dish

A Small Late 17thC Chinese Porcelain "Kraak" Blue And White Dish Painted With A Grasshopper And Peony Issuing From Rockwork, The Border Typically Painted With Repeating Panels Of Flowerheads.

147mm Diameter.

Late Ming, Wanli Circa 1620.

Upper A Small Blob Of Kiln Impurity, Lower Footrim Typically Granular, A Shallow And Inconspicuous 20mm Hair Line Crack To The Rim, Warped In The Firing With A Resulting Slightly Contorted Shape.

KraakWare (Dutch Kraakporselein) Is A Type Of Chinese Export Porcelain Produced Mainly In The Late Ming Dynasty, In The Wanli Reign (1573–1620). Kraak Porcelain Is Believed To Be Named After The Portuguese Ships (Carracks), In Which It Was Transported.

ZC773 17thC German Tin Glaze Earthenware Blue And White Charger

A Massive 17thC German Tin Glaze Earthenware Blue And White Kraak Style Charger Painted In The Chinese Fashion With Characters In A River Landscape, The Rim Typically Sectioned With Alternating Panels Of Flowering Foliage And Characters In Rivere Landscapes.

398mm Diameter.

Frankfurt Or Hanau, Circa 1680

Given This Is Tin Glaze With To Be Expected Glaze Flakes To The Rim, The Solitary Rim Chip To The Rear In No Way Mitigates Against Declaring This To Be In Excellent Condition,- It Is Resonant To The Touch And Rings Like A Bell With No Damage Or Restoration Detected. A Fine Example!
 

CD1541 18thC Bow Blue And White Sauce Boat

A 20thC Royal Worcester 18thC Style Baluster Mask Jug Printed With The Pine Cone Pattern.

103mm High.

Printed Marks.

Perfect Condition.

CD1540 18thC Irish Delft Octagonal Tureen Stand

An 18thC Irish Delft Octagonal Tureen Stand Painted In The Chinese Manner With A Building, Pine, A Fenced Garden And Peony In A River Landscape.

300mm Wide x 212mm Deep x 41mm High.

Dublin (Delamain's World's End Pottery), Circa 1760.

Restoration To Rim.

CD1537 Pair Of 18thC English Delft Plates

A Pair Of 18thC English Delft Blue And White Plates Painted In The Chinese Manner With Peony, Rockwork And Bamboo.

226mm Diameter.

Possibly Liverpool, Circa 1760

Both With Rim Nibbles And Associated Hair Lines.

CD1538 18thC English Delft Plate

An 18thC English Delft Circular Plate Painted In Polychrome Enamel With The Poached Egg Pattern.

230mm Diameter

Lambeth, Circa 1760.

A Few Characteristic Small Rim Nibbles And Small Associated Hair Lines, Fabulous Palette, Very Decorative.

CD1536 Early 19thC Masons Ironstone Octagonal Meat Plate

An Early 19thC Masons Ironstone Small Octagonal Meat Plate Printed With Chinese Buildings In A River Landscape With Characters On A Bridge.

257mm Wide x 189mm Wide.

Printed And Impressed Masons Mark, Circa 1820.

Mint Condition, Modestly Priced.

ZC942 Victorian Pratt Pot

A Victorian Pratt Pot Lid And Base, Printed In Polychrome Colours With An Amorous Gent And A Timorous Lady; Entitled "Uncle Toby."

102mm Diameter.

Circa 1870.

Good Condition

These Lids Are Not Especially Rare But They Do Not Often Come Complete With Their Bases.

The company was formed by the two Pratt brothers, Felix and Richard in the early 19th Century. They became well known for their multi-coloured transfer printed engravings used to decorate the lids of pots produced for food, toiletries and pharmaceutical products.

 

ZC943 Victorian Pratt Pot

A Victorian Derby Day Pratt Pot Lid And Base, Printed In Polychrome Colours With A Horse Race,   Crowds Before, Tents Behind.

102mm Diameter.

Circa 1860

Good Condition With Small Internal Rim Chip To The Flange Of The Base.

 

ZC944 Victorian Pratt Pot

A Victorian Shrimpers Pratt Pot Lid And Base, Printed In Polychrome Colours With Children Netting Shrimps In A Coastal Landscape

102mm Diameter.

Circa 1860

Good Condition With Some Internal Staining To The Cover.

These Lids Are Not Especially Rare But They Do Not Often Come Complete With Their Bases.

 

ZC866 Wedgwood Creamware Harvest Jug

A Large George III 18thC Wedgwood Creamware Harvest  Jug With Generous Spout, And Simple Strap Handle, The Body Painted With Fruiting Vine And Wheat Stems, The Rim With Bluebells.

220mm High.

Impressed "WEDGWOOD" Together With "4" - The Slightly Curvilinear Nature Of This Mark Apparently Identifies It As An Early Mark, Circa 1765, Associated With The Bell Works,

A Few Flakes To The Black Line Decoration, Especially  At The Base, A Single Base Chip, The Spout With 2 Short Cracks - Approximately 25mm And 15mm Long, Another Short 10mm Long Rim Crack. No Restoration, The Painted Polychrome Decoration Bright And Without Blemish, Fully Resonant To The Touch.

Very Nice!

ZC568 Famille Rose Mug

A Late 18thC Chinese Large Famille Rose Cylindrical Mug With Scaly Dragon Handle, The Reserved Cartouche Painted With A Variety Of Characters At Leisure Within A Fenced Garden, A River Landscape Beyond.

96mm Diameter x 126mm High.

Qianlong, Circa 1780.

Some Rim Frits, No Cracks, Chips Or Restoration, Resonant To The Touch, The Enamel Decoration Bright And Fresh With No Rubbing.

ZC616 Muriel Moody

A Decorative New Zealand Studio Pottery Figure By Muriel Moody Of A Stoneware Reclining Female Figure, On Her Side, Hair Splayed, Hand In The Air.

645mm Wide x 210mm Deep x 190mm High At Widest And Highest Points.

Clean Restuck Break At Lower Arm, Highly Decorative On A Stool Or Side Table.

Very Interesting Woman - This Her Wikipedia Entry

Moody was born in Whangarei, New Zealand on 18 March 1907, the second of six children of John Munro Wilson and Mildred Carrick Proude. Her mother was a talented pianist and loved to sketch, and encouraged her children to develop their talents.

Moody attended Palmerston North Girls' High School, where she showed signs of talent with drawing — the 1925 school magazine contained two of her sketches.[1] After finishing school, Moody worked in Palmerston North as a commercial artist and continued to study art with lessons from Harry Richardson.

In the mid-1930s, Moody moved to Christchurch and became head of advertising for the central city department store Ballantynes. There she met other artists such as Rita Angus and Louise Henderson, and took lessons in etching from Dorothy Turner.

In 1941, Moody joined the British YWCA War Service and worked closely with the director of welfare for the Far East, fellow New Zealander Jean Begg.[

 Moody spent seven years in England, Egypt, Ceylon (now Sri Lanka) and India setting up residential, recreation and welfare clubs for servicewomen. In 1946 she worked in Japan to open clubs for women of the British Commonwealth Occupation Forces, including a Muriel Wilson hostel.

After a year in Sydney, Australia, receiving treatment for tuberculosis, Moody returned to New Zealand and married public servant Clive Robert Moody, known as Bob Moody, in 1949. They settled in Days Bay, near Wellington, where Moody set up kilns and began to specialise in pottery. In the 1950s she attended ceramics classes at the Petone technical college with Wilf Wright, June Black, Mary Hardwick-Smith, Lee Thompson, Roy Cowan and Juliet Peter.

Moody died on 24 December 1991 at Lower Hutt Hospital. Her works of art are held in various private collections in New Zealand, Britain, Switzerland and the United States, as well as in several New Zealand galleries and institutions such as the Dowse Art Museum and the Suter Art Gallery. In addition, a stylised cross of ceramic tiles constructed by Moody is displayed on an exterior wall of the Barber Memorial Chapel at Samuel Marsden Collegiate School in Karori, Wellington.

In 2015, some of her pottery was included in the 50th anniversary exhibition of New Zealand Potters, entitled "Flora Christeller & Friends - A Retrospective Exhibition".

Notice Her Work Is In The Dowse. Do Go And Look At Their Current Exhibition. Everything, Everything Is Out! A Marvelous Cacophony Of Paintings, Pottery, Textiles, Sculpture.. A Fabulous Mish Mash!

A Most Stylish And Decorative Set Of 4 Early 19thC German Meissen Style Porcelain Busts Emblematic Of The Seasons Raised On Flattened Urns With Relief Acanthus Leaves And Painted Flower Sprays On Square Bases, Spring And Summer Modelled As Scantily Draped Classical Ladies, Autumn As A Bacchanalian Character With Grape Festooned Headress And Winter As A Bearded Character Within A Hooded Cloak.
49mm Square x 112mm High.
Circa 1800.
One With Lempertz Sticker, Auctioneer Of Cologne.
Excellent Condition.
Do Yourself A Favour, Ditch The Hideous Doutlon Balloon Seller And The Limited Editon Worcester Dorothy Doughy Bird And Replace With These Stylish And Interesting Busts.
 

 

 

A Smart 19thC German Meissen Inspired Porcelain Square Section Inkwell And Cover Decorated With Gallants And Companions In Country Landscapes With Buildings, The Gilt Outlined Quatrefoil Panels Reserved On A Turquoise Ground, The Cover And Top Painted With Scattered Flower Sprays, Together With A Pierced Pounce Pot En Suite.
59mm Square x 48mm High.
Not Marked, One With Lempertz Sticker, A Major Cologne Auction.
The Pounce Pot With Small Restored Chip At The Base.
 

 

 

A Charming Early 19thC German, Meissen Style, Porcelain Etui Of Typical Waisted Form With Hinged Cover,
Gilt Metal Mounts And Painted Flower Sprays Within Gilded Quatrefoils On A Dimpled White Ground, The Base Similarly Painted.
31mm Wide x 66mm High.
Circa 1800.
Excellent Condition.
Metz, Heidelberg Labels Within.

 

 

A 19thC Japanese Blue And White Square Plate With Chamfered Corners
Painted With A Lone Sampan In A Mountainous River Landscape,
The Decoration Highlighted With Dabs Of Iron Red.
Painted Character Marks, Circa 1850.
A Tiny Rim Nibble, Highly Resonant To The Touch.

A Vintage Royal Doulton Heavily Potted Childs "Bunnykins" Circular Cereal Bowl
Together With A Similar One Handle Cup.
The Bowl 160mm Diameter, The Cup 118mm Wide Across Handle x 72mm High.
 

A Victorian Brass Mounted Jardiniere With 4 Minton China Works Scenes From
Tennyson's Idylls Of The King Series By John Moyr Smith,
The Brass Mount And Printed Tiles With Celtic Inspired Decoration.
202mm Square x 200mm High.
Circa 1875.
One Tile Broken And Tidily Restuck Otherwise Good Condition.
 

An 18th Century Worcester Cos Lettuce Shape Sauce Boat, The Moulded Body Sparsely Decorated With Hand Painted Flowers And Insects,
The Looped Handle Formed As A Tree Branch, Modelled After The Meissen Original.
245mm Wide Across Handle x 125mm Deep x 142mm High.
Not Marked, Circa 1755
Cracked To The Interior - Not Evident For Display Purposes, Stable And Resonant,
Original Firing Crack To Handle, Very Nice Crisp Fresh Painting.
 

A George III Early 19thC Spode Porcelain Helmet Shape Cream Jug With A Central Band Of Iron Red Between Leaf Garlands.
139mm Wide x 78mm Deep x 105mm High.
Circa 1810.
Excellent Condition.
 

A Late Victorian "The Royal Blend Whisky" Two Tone Stoneware Whisky Jug With Handle,
Printed With A Stag And Mark For "AC Thomson $ Co., Glasgow."
194mm High x 908m Diameter Of Base.
Impressed "PORT DUNDAS POTTERY GLASGOW."
Circa 1900.
Excellent Condition, No Chips, No Cracks, No Restoration.
 

An Enchanting 18thC Worcester Blue And White Cannonball Pattern Coffee Can
Painted In Underglaze Blue With Islands Featuring Trees And Pagodas And Cannonballs.
57mm Diameter x 64mm High.
Circa 1770.
A Shallow Stable Crack.
Ref: Branyan, French and Sandon 1.D.6
 

An Enchanting 18thC Worcester Blue And White Cannonball Pattern Coffee Can
Painted In Underglaze Blue With Islands Featuring Trees And Pagodas And Cannonballs.
57mm Diameter x 64mm High.
Circa 1770.
3 Tiny Rim Nibbles, Otherwise Excellent Condition.
Ref: Branyan, French and Sandon 1.D.6
 

A Large Early 19thC English Ironstone Shaped Circular 2 Handle Tureen Painted In An Imari Palette
With Chinese Style Flowering Foliage, The Rims And Handles Lavishly Gilded.
320mm Wide Across Handles x 220mm Diameter x 185mm High To Top Of Handle.
Impressed Marks, Circa 1830.
Lacks Cover, No Damage Or Restoration, Seriously Decorative.
 

A George III Early 19thC Mason's Type Ironstone Octagonal Hydra Jug
With Scaly Serpent Handle Incorporating Mask And Split Paw Terminals,
Painted And Lavishly Gilded In The Desirable "Old School House" Pattern.
193mm Across Handle x 175mm High.
Not Marked, Circa 1820
Excellent Condition, Seriously Gilded, Fantastic High Relief Grotesque Mask Handle.
 

A Most Charming Pair Of Early Victorian Nursery Plates Monochrome Printed
With A Boy Cajoling A Dog And A Girl With Doll And Cradle,
The Rims Moulded In Relief With Animals Including Fox, Hound And Monkey.
125mm Diameter.
Circa 1830
Immaculate Condition
 

A Set Of 4 George III Davenport Ironstone Small Plates Painted And Gilded With Peony And Chrysanthemum Issuing From Rockwork.
207mm Diameter.
Printed Underglaze Blue Mark, Circa 1810
Immaculate Condition.
 

A Pair Of George III Davenport Ironstone Tureen Stands Painted And Gilded With Peony And Chrysanthemum Issuing From Rockwork.
173mm Diameter.
Printed Underglaze Blue Mark, Circa 1810
Immaculate Condition.
 

A Pair Of Late Victorian Ashworth Ironstone Plates Printed And Painted With Chinese Emblems
Within An Octagonal Carouche And Decorated Rim.
185mm Diameter.
Printed Royal Arms And Impressed Marks, Circa 1890.
Immaculate Condition.
 

A Mid 18thC Chinese Export Bullet Shape Teapot And Domed Cover Painted En Grisaille With European Characters
Featuring A Fisherman With Catch And Lady Companion.
180mm Wide Across Handle And Spout.
Quianlong, Circa 1750.
The Caned Metal Handle A Replacement. A European Subject On Chinese Export Porcelain Is Especially Desirable
 

A Large Late 18thC Chinese Export Famille Rose Mug With Entwined Strap Handle Featuring Berry Terminals,
The Rim Gilded With Cross Hatching And The Body Painted With A Central Flower Spray Within A Gilded Cartouche.
134mm High x 105mm Diameter.
Circa 1790.
A Small Rim Chip, No Other Damage Or Restoration, Resonant To The Touch.
 

A Large Late 18thC Chinese Export Barrel Shape Mug, The Rim With Cross Hatching And
The Ribbed Body With Flowering Foliage; The Metal Handle An Early Repair.
147mm High x 89mm Diameter.
Circa 1770.
The Replacement Handle With Associated Crack.
 

An 18thC Chinese Export Famille Rose Punch Bowl, The Fluted Circular Bowl
Painted With Peony And Chrysanthemum Issuing From Rockwork, The Interior With Flowering Foliage.
250mm Diameter x 115mm High.
Quianlong, Circa 1780.
Decorative With Several Rim Cracks, Not Resonant To The Touch.
 

A Decorative 18thC Chinese Export Famille Rose Punch Bowl Painted Within Blue Scrollwork Cartouches
With Characters At Leisure In A Garden, The Interior Rim With Cell Pattern.
261mm Diameter x 112mm High.
Quianlong, Circa 1760.
Rim Chip With Associated Crack, The Painted Decoration In Good Fresh Bright Condition.
 

A Good Pair Of Early 19thC Cantonese Cup, Saucer And Plate Painted In A Typical Bright Green And Rose Palette
With Reserves Of Characters In A Pavilion And Birds And Insects.
The Plate 169mm Diameter.
Circa 1840.
Immaculate Condition.
Well Underpriced, Excellent Value.
 

A Good Pair Of 19thC Cantonese Small Circular Plates Painted In A Typical Bright Green And Rose Palette
With Reserves Of Characters In A Pavilion And Birds And Insects.
196mm Diameter.
Circa 1840.
Both In Excellent Resonant Condition.
 

A Pair Of 19thC Cantonese Small Circular Plates Painted In A Typical Bright Green And Rose Palette
With Reserves Of Characters In A Pavilion And Birds And Insects.
196mm Diameter.
Circa 1840.
One With Shallow Star Crack To Base, The Other Perfect, Both Resonant.
 

A Pair Of 19thC Cantonese Small Circular Plates Painted In A Typical Bright Green And Rose Palette
With Reserves Of Characters In A Pavilion And Birds And Insects.
196mm Diameter.
Circa 1840.
Both With Visible Chips, Both With Sections Of Rim Restuck.
 

A Set Of 6 Victorian Minton Shakespearian Brown Monochrome Tiles Designed By William Moyr Smith,
Depicting Scenes From Hamlet, King Lear, Othello, Antony & Cleopatra, Romeo & Juliet And Twelfth Night,
Now Framed And Glazed To Form A Tray.
330mm x 480mm.
Circa 1880.
Without Dismantling The Tiles Appear To Be In Good Condition, The Glass Is Scratched And Grubby, Some Dust Beneath.

 

A Late 19thC Meissen Porcelain Plate With Openwork Basketweave Rim,
The Border Hand Painted With Perched Birds And The Centre With A Vignette Of A Couple Catching Butterflies.
240mm Diameter.
Painted Underglaze Blue Crossed Sword Marks, Circa 1870.
A Filled Rim Chip At 7 O'clock, Otherwise Excellent Resonant Condition With Pristine Paint Work.
 

A 19thC German Porcelain Swelling Square Section Box And Cover, Flower Encrusted And Painted With Beetles And Butterflies.
The Neck Approx. 45mm Square x 83mm High With Cover.
Painted "R" Mark, Probably Dresden, Circa 1880.
Quite Good Quality With Negligible Losses.
 

Two Small 19thC Continental, Probably German, Dolls House Objects Modelled As Young Ladies With Black Hair,
The Interiors Hollow - Not Quite Sure What These Are Supposed To Be Other Than Decorative Trifles!
27mm And 20mm High Respectively.
Circa 1880.
OK Condition, The Smaller With Nose Chip, Perfect Objects To Go Into The Printers Tray!
 

A Magnificent Early 18thC German, Westerwald, Stoneware "GR" Jug Of Gargantuan Proportions And Of Typical Form
With Ring Turned Manganese Neck, Incised Sgraffito Foliate Decoration Highlighted With Cobalt Blue And
Central Crowned "GR" Royal Cypher Medallion With Winged Angel.
315mm High x 103mm Diameter Of Neck.
Circa 1740..
Excellent Condition - No Cracks, No Chips, No Restoration, Resonant To The Touch,
Massive Proportions - I Can Find Plenty Of Other Examples But None Over 300mm High.

A Jug That Typifies The Close Relationship Between 18thC Hanoverian England And Germany.
 

A Good Saltglaze Reform Flask Of William IV, The Three Quarter Length Figure With Arms Locked And
The Garter Star, Impressed To The Front "WILLIAM IVths Reform CORDIAL,"
The Reverse With Retailers Mark For "W.PETTS York Minster 17, Foley Street."
195mm High x 84mm Wide At The Base.
Circa 1832.
A Not Visible Chip To The Underside Of The Base Otherwise Good Condition.
William IVs reign was notable for many reforms notably the poor law, child labour law,
slavery law and the electoral system which was refashioned by The Reform Act of 1832.
 

A Late Victorian Catto's Of Aberdeen Two Tone Stoneware Whisky Jug, Handless,
Printed With A Highland Character And Facsimiles Of Medals Won At Paris, 1878 And London, 1884.
206mm High x 90mm Diameter Of Base.
Impressed "BUCHAN PORTOBELLO EDINBURGH." Circa 1900.
Excellent Condition, No Chips, No Cracks, No Restoration.
 

A George III Pottery Earthenware Jug Modelled In High Relief With Bacchus.
111mm High.
Circa 1800.
Lacks Handle, Displays Well, Cheap As Chips.
 

A George III Prattware Pottery Flask Moulded In High Relief With Scantily Draped Putti Emblematic Of The Seasons -
Spring With Bird And Bird's Nest, Summer With Floral Garland, Autumn Wheat Sheath And Scythe And Winter With Flaming Brazier,
All Highlighted With A Pratt Type Paletter.
152mm High x 108mm Wide.
Circa 1800.
A Tiny Chip To The Rim, Two Chips To The Footrim, Resonant To The Touch And Totally Stable.
 

A Large 18thC Dutch Delft Polychrome Circular Dish Painted With An Urn Of Flowers With Peacock Feathers.
353mm Diameter.
Painted Underglaze Mark, Possibly For Cornelia van Schoonhoven, Circa 1770.
Highly Decorative, But A Bit Bashed With Several Areas Of Rim Restoration And Also Rim Chips - So, Cheap As Chips!

 

An Early 19thC Wedgwood Transfer Printed Blue And White Cup And Saucer
Decorated With A Variant Of The Willow Pattern.
The Saucer 142mm Diameter.
Printed "WEDGWOOD" Marks, Circa 1840.
Lightly Potted, Rings Like A Bell, Excellent Condition.
 

An Early 19thC English Bone China Yellow Ground Cup And Saucer Printed With Characters In Welsh Costume.
The Saucer 135mm Diameter.
Circa 1850.
Both Apparently Without Damage Although Dull To The Touch.
 

A Highly Decorative Victorian Earthenware Jug Of Classical Inspiration,
The Blue Ground Decorated With Classical Warriors In Full Combat,
The Neck With Bands Of Decoration Including Anthemion.
207mm High.
The Base With Printed Mark Stating
"FACSIMILE OF A VASE Representing THE BATTLE BETWEEN THE GREEKS
and the AMAZONS, FOUND AT CUMAE Towards the latter end of the Year 1855"
211mm High.
Excellent Condition, Perfect In A Gentleman's Library.
 

An Early 19thC Continental Porcelain Shell Shape Inkwell With Mask And Acanthus Leaf,
The Ribbed Top And Sides Highlighted With Gilding.
67mm Wide x 58mm Deep x 36mm High.
Not Marked, Circa 1820.
Small Shallow Crack And Rim Chip, Very Stylish In An Understated Way;
The Peasants Won't Even Notice It But For Those With An Eye For Such Things Most Appealing.

 

A Decorative George III English Porcelain Cylindrical Coffee Can
Painted And Gilded With A Yellow Rim And Pendant Gilded Foliage,
The Faceted Body With Simple Scroll Handle.
61mm High.
Not Marked, Circa 1800.
Good Condition With No Damage Detected,
The Gilded Rim A Little Rubbed.
 

A Restrained George III English Porcelain Cylindrical Coffee Can
Gilded With Scattered Flower Sprigs, The Plain Cylindrical Body With Scroll Handle.
61mm High.
Not Marked, Circa 1800.
The Base With Shallow Crack, The Gilded Rims Close To Pristine,
Presents Well.
 

A Restrained George III English Porcelain Cylindrical Coffee Can
Gilded With Gilded Rims And Double Scroll Handle.
65mm High.
Painted Pattern Number And "B", Maker Not Identified, Circa 1800.
The Base With Shallow Stained Crack,
The Gilded Rims Close To Pristine, Presents Well.
 

3 Miscellaneous Early 19thC English Porcelain Tea Cups,
All Gilded And Fluted.
One Cup With Rim Hairline Crack, The Others OK.
Circa 1820
 

An Extremely Rare George III John Flaxman Designed Wedgwood Lavender Jasper King Chess Piece
Modelled As A Classical Crowned King Clasping A Soon To Be Drawn Sheathed Sword,
A Clutching Child At His Side, On A Stepped Circular Base,
Inspired By The Actor John Kemble In The Role Of Macbeth.
106mm High x 56mm Diameter Of Base.
Impressed Factory Marks, Incised Potters Marks, Circa 1790.
A Small Unobtrusive Hairline Crack At The Base, With My Ancient Eyes I Needed An Eyeglass To Detect It,
Otherwise Immaculate Condition With Well Defined Sculpted Detail.

Heaps Of Material On Flaxman On Line - Here Is A Snippet.

John Flaxman was born in York and grew up in London where he studied sculpture at the Royal Academy Schools from 1770.
There, he became close friends with William Blake and Thomas Stothard. Flaxman was fascinated with ancient myth and literature from an early age and his work exemplifies the age of neoclassicism in Britain. In 1775 he began designing decorative figures for the Wedgwood pottery factory, showing an early willingness to adapt his art to the requirements of commerce and decoration.

In 1787 Flaxman embarked on a journey to Rome (with financial help from Wedgwood). He stayed for seven years, during which time he emerged as a major international figure. In Italy Flaxman found patrons willing to commission large and unconventional sculptures such as The Fury of Athamas (1790-94, National Trust), a subject from Ovid’s Metamorphoses.

It was also in Italy that Flaxman was commissioned to illustrate the works of Dante, Homer and Aeschylus. Many of his original drawings for these scenes are now in the RA collection. Flaxman’s illustrations were etched by Tommaso Piroli and sold in printed form and it was to these, more than his sculpture, that he owed his success overseas.
No British sculptor before Henry Moore enjoyed a greater international reputation than Flaxman.
 

An Extremely Rare George III John Flaxman Designed Wedgwood Lavender Jasper Bishop Chess Piece
Modelled As A Bishop With Mitre Hat, Long Robe And Protruding Hands On A Stepped Circular Base.
73mm High x 47mm Diameter Of Base.
Impressed Factory Marks, Incised Potters Marks, Circa 1790.
A Clean Restuck Break At The Shoulder With A Tiny Loss, Presents Quite Well.
 

An Extremely Rare George III John Flaxman Designed Wedgwood Lavender Jasper Pawn Chess Piece
Modelled As A Classical Soldier With Helmet, Shield And Sword And Tree Stump Support On A Circular Base.
60mm High x 41mm Diameter Of Base.
Impressed Factory Marks, Incised Potters Marks, Circa 1790.
Restuck Shield A Little Unsightly.
 

An Extremely Rare George III John Flaxman Designed Wedgwood Pale Green Jasper Queen Chess Piece
Modelled As A Classical Crowned Queen Clasping Soap To Her Bosom, On A Stepped Circular Base,
Inspired By The Actor Sarah Siddons In The Role Of Lady Macbeth,
109mm High x 61mm Diameter Of Base.
Impressed Factory Marks, Incised Potters Marks, Circa 1790.
Broken And Restuck At The Arm, Waist And Base, Losses To The Base - Despite All This Presents OK.
 

An Extremely Rare George III John Flaxman Designed Wedgwood Lavender Jasper Pawn Chess Piece
Modelled As A Scantily Draped Reclining Figure Gazing Upwards, Supported On Rockwork And Circular Base.
59mm High x 41mm Diameter Of Base.
Marks Obscured By Old Collectors Label, Circa 1790.
Restuck At Shoulder And Wrist, Nicely Defined Drapery, Resticking A Little Obtrusive.
 

An Extremely Rare George III John Flaxman Designed Wedgwood Pale Green Jasper Pawn Chess Piece
Modelled As A Shakespearean Jester With Jester's Hat, Cloak, Tree Stump Support And Circular Base.
170mm High x 42mm Diameter Of Base.
Impressed Factory Marks, Incised Potters Marks, Circa 1790.
Clean Restuck Break At Thigh, Crisply Modelled, Presents Well.
 

An Extremely Rare George III John Flaxman Designed Wedgwood Lavender Jasper Pawn Chess Piece
Modelled As A Classical Soldier With Helmet, Shield And Sword And Tree Stump Support On A Circular Base.
65mm High x 41mm Diameter Of Base.
Marks Obscured By Old Collectors Label, Circa 1790.
Clean Break At The Thigh, Presents Well.
 

A Pair Of Chinese Kangxi Style Teabowls Of Batavian Type With Café Au Lait Exterior Glaze,
The Interior Decorated In Wucai Coloured Enamels Featuring Large Fish Swimming Amongst Aquatic Weeds.
The Bases With Painted Underglaze Blue Flowerheads.
82mm Diameter x 48mm High.
In The Style Of Kangxi But Probably 19thC Ching.
Both With Tiny Rim Nibbles, One With Additional Footrim Nibble, Charming, Decorative And Cheap.
 

A Large Early 20thC Czechoslovakian, Amphora, 2 Handle Cylindrical Vase
Decorated In Typical High Relief Enamels With Birds.
350mm High.
Printed Factory Mark, Circa 1920.
Excellent Condition. Good Size.
 

A Particularly Attractive 18thC Chinese Famille Rose Sparrow Beak Jug
Painted With Mandarin Style Decoration Of Characters In A River Landscape Reserved On A Cell Pattern Ground.
97mm High.
Qianlong, Circa 1760.
Especially Lovely Bright Enamel Colours, The Gilded Handle Rubbed, No Cracks, Chips Or Restoration.

 

An 18thC Chinese Famille Rose Sparrow Beak Cream Jug
Painted With Scattered Flower Sprays.
102mm High.
Qianlong, Circa 1770.
Small Restoration To The Spout Otherwise Good Condition.

 

A Good 18thC Chinese Blue And White Shaped Rectangular Meat Plate Painted With Loose Sprays Of Peony, Chrysanthemum And Berries, The Rim Painted With Diaper Within A Shaped Brown Border; The Reverse With Suspension Device.
399mm Wide x 322mm Deep x 43mm High.
Qianlong, Circa 1760.
Highly Resonant, No Damage Or Restoration Detected, Mint Condition.
 

A Decorative 18thC Chinese Famille Rose Plate Painted With Peony Beneath A Dragon Fly.
228mm Diameter.
Qianlong, Circa 1760.
A Teeny Rim Chip Above And A Larger Below, A Little Rubbing To The Enamel Decoration,
No Cracks, Resonant To The Touch.

An 18thC Chelsea Porcelain Silver Shape Dish Painted With Grapes, Berries, Fruit And Scattered Insects, The Shaped Rim Painted Green With Gilded Highlights, The Underside With Typical Ground Rim And Stilt Marks.
255mm Wide x 197mm Deep
Gilded Anchor Mark, Circa 1760.
Exceptional Condition, No Rubbing, No Crazing, No Chips, No Cracks, No Restoration - Very Rare To Find This Locally, There Will Not Be Another For Sale In New Zealand.

The Chelsea Factory Was Alone Amongst 18thC English Porcelain Manufacturers In That It Enjoyed Royal And Aristocratic Patronage As Opposed To The Productions Of Other Factories Targeted At The Mercantile And Middle Classes,
 

A Delightful Miniature Regency Basket Shape Pot Pourri With Gilded Overhead Handle And Pierced Cover With Gilded Finial, The Blue Enamel Ground Reserved With Gilded Octagonal Panels Finely Painted With Flowering Foliage.
72mm High To Top Of Handle x 60mm Diameter Of Top.
Painted "1094" Pattern Number.
Definitely English, Of A Derby Type, Definitely Circa 1820.
The Cover With Small Restuck Repair To Rim Otherwise Excellent Condition With Pristine Unrubbed Gilding And Painted Decoration.
I Have Left This Piece Unrestored And Modestly Priced - My Restorer Can Fix The Cover So You'd Never Know It Was Restored But It Will Cost $100+. Might Be Best Left Cheap With Damage Noone Will Notice?
 

A Charming Early Victorian Drabware Nursery Part Dinner Service
With Gilded Rims And Typical Monochrome Aspect, Comprising A Soup Tureen,
Cover And Stand, A Further Stand And A Graduated Set Of 3 Meat Plates.
The Largest Meat Plate 129mm Wide x 95mm Deep, The Tureen 91mm Wide x 62mm Deep x 46mm High.
Not Marked, Of A Wedgwood Type, Circa 1850.
Excellent Condition, A Cute Little Display Set.
 

A Very Decorative Early Victorian Silver Form Earthenware Silver Lustre Melon Shape Teapot With Artichoke Finial, Rococo Double Scroll Handle And Squat Scroll Feet.
195mm High x 230mm Wide Across Spout And Handle.
Circa 1850.
Handle Terminal Chipped, An Innovative Glaze From The Potteries - No Reason Why The Wife Of A Farm Labourer Can Not Serve From A Silver Teapot Too!
 

A Very Decorative Early Victorian Silver Form Earthenware Silver Lustre Melon Shape Teapot With Finial, Rococo Double Scroll Handle And Shaped Circular Base.
84mm High x 207mm Wide Across Spout And Handle.
Circa 1850.
Handle Thumbpiece With Small Chip, Glaze Rubbed Exposing The Red Earthenware Body, An Innovative Glaze From The Potteries - No Reason Why The Wife Of A Farm Labourer Can Not Serve From A Silver Teapot Too!
 

A Rockingham Dessert Plate Printed In Grey And Highlighted In Gilding With An Exotic Bird, Insects And Chrysanthemum Amongst Dense Foliage Issuing From Rockwork, Referred To As "The India Pattern."
230mm Diameter.
Printed Puce Mark, Circa 1835.
Good Condition.
 

A Rockingham Porcelain Dessert Plate Painted In Overglaze Enamels With A Brightly Coloured Flower Spray, The Border With Gilded Flowering Foliage On Grey Lattice.
236mm Diameter.
Printed Puce Mark And Painted Pattern Number 790, Circa 1835.
A Central Inconspicuous Hairline Crack.
 

A Pair Of Rockingham Porcelain Dessert Plates Printed And Gilded With A Central Grey Flower Spray With Butterfly, The Border With Gilded Flowering Foliage On Lattice.
233mm Diameter.
Printed Puce Marks And Painted 780 Pattern Numbers, Circa 1840
Good Condition.
An Identical Plate Is Illustrated In "Rockingham" By Alwyn & Angela Cox.
 

A Rockingham Porcelain Trio Comprising Teacup, Coffee Cup And Saucer With Powder Blue Ground Gilt Outlined Wide Borders Punctuated With Slightly Raised Foliate Moulding, Otherwise Plain, The Cups With Elaborate Gilded Scroll Handles With Thumbpieces.
The Saucer 147mm Diameter, The Cups 71mm And 55m High To Rims.
The Saucer With Puce Mark, All With Painted 75 Pattern Number, Circa 1835,
Good Condition.
 

A Rockingham Porcelain Cup And Saucer Printed In Monochrome Green With Peacocks Amongst Dense Trailing Foliage, The Exterior Moulded In Relief With Basket Work About Reserves Similarly Painted., Together With Another Saucer.
Not Marked, All Pieces With Painted 883 S Pattern Number.
Circa 1835
The Saucer 153mm Diameter, The Cup 56mm High To Rim.
Good Condition, The Basketweave Moulding Most Appealing.
Similar Basket Weave Moulding Illustrated Alwyn & Angela Cox, "Rockingham."
 

A Rockingham Porcelain Teacup And Saucer Printed And Gilded In Grey With Dense Foliage Interspersed With Brightly Painted Polychrome Flower Sprays; Elaborate Scroll Handle.
The Saucer 146mm Diameter x 53mm High To Top Of Cup.
Printed Puce Mark To The Saucer, Circa 1835.
Good Condition.
 

A Rockingham Porcelain Teacup And Saucer Painted To The Centres With Castles And Bridges Within Country Landscapes, The Grey Foliate Rims Lavishly Gilded With Fruiting Vine; Elaborate Scroll Handle.
The Saucer 145mm Diameter x 57mm High To Rim Of Cup.
Printed Puce Mark To The Saucer, Circa 1835.
A Similar Cup & Saucer Is Illustrated In "Rockingham" By Alwin & Angela Cox.
 

An Early 19thC Staffordshire Toby Jug Formed As A Seated Gentleman With A Jug Of Foaming Ale, In Blue Coat, The Chamfered Base With Green Sponged Work, The Handle With A Moulded Thumbpiece.
241mm High.
Circa 1820.
A Small Chip To The Hat, Otherwise Good Condition.

 

A Large 18thC Chinese Blue And White Deep Saucer Dish With Central Roundel Surrounded By Flowering Foliage,
The Rim With A Wide Band Of Repeating Flower Heads And Bats.
355mm Diameter x 60mm High.
Painted Lingzhi Or Fungus Mark Within Double Ring Circle, Kangxi, Circa 1700.
Been In The Wars I'm Afraid. Several Rim Chips And 2 Hairline Cracks 40-50mm Long.
For All That Totally Resonant To The Touch. Rings Like A Bell.
Presents Very Nicely With The Aforementioned Damage Not Especially Visible But A Major Factor In The Extremely Modest Price.
So Please Do Not Harp On About The Condition. It Is Acknowledged. That Is Why It's Cheap. Use It. Fill It With Kiwifruit.

 

A Decorative George III English Porcelain Derby Cylindrical Coffee Can Painted With A Continuous Puce Band Of Scrolling Foliage Embellished With Gilding. The Inside Rim Gilded.
62mm High.
Painted Derby Iron Red Crown And Baton Mark, Circa 1800.
Great Condition With Minor Gilding Loss.
 

A George III English Porcelain, Cylindrical Coffee Can Painted And Gilded In An Imari Palette With Scrolling Foliage.
62mm High.
Not Marked, Probably Derby, Circa 1800.
Good Condition, Residual Glaze Impurities Inside Rim.
 

A Large And Impressive Early 19thC French Porcelain Circular Inkwell With Gilded External Quill Holders, Circular Pink Ground Edge Painted With Flowering Foliage, Gadrooned Body Above Paw Feet And Circular Base.
125mm Diameter x 83mm High.
Perhaps Paris Porcelain, Circa 1820.
2 Quill Holders Restored, Lacks Liner And Cover.
This Has Been In The Country For A While, Bears Old BADA Sticker. Inappropriately Stuck On A Flower Spray. I Don't Suppose The British Antique Dealer Vetting This Item Realised How Prestigious These Labels Were For Colonial Matrons. Never To Be Removed. Even When Polishing Furniture Care Must Be Taken To Cover The Coveted BADA Label With A Thumb. No One Will Be In Any Doubt Where Your Furniture Came From!
 

A Charming 19thC French Faience Crescent Shape Brass Mounted Hinged Snuff Box Painted With Insects And Flower Sprays.
64mm Wide x 38mm High.
Circa 1880,
Painted With Pseudo Veuve Perrin, Marseilles, Mark.
Excellent Condition, Rim Flake To Base Mentioned For Accuracy Only
 

A Charming Early 19thC Staffordshire Earthenware Plate Painted With A Scythe And Rake,
The Rim Brightly Painted With Moulded Flower Heads.
180mm Diameter.
Circa 1820.
Excellent Condition.

 


A Pair Of Early 19thC Staffordshire Small Pearlware Figues Of A Maharaja And His Wife, Both With Elaborate Headress And European Attire Featuring Pink Tunics On Rococo Scroll Mounds Above Square Bases.
147 & 142 mm High.
Circa 1800.
Both A Bit Grubby, He In Good Condition With No Damage Or Restoration, She Has Been Been Broken In Half And Restuck.
 

 

A Most Decorative Royal Doulton Stoneware 3 Handle Tyg Decorated In Low Relief With Tube Line Flowering Twigs On A Shagreen Type Ground, The Rim With Hallmarked Sterling Silver Mount.
Sheffield 1901,
Henry Wilkinson.
Impressed Factory And Slaters Marks.
Excellent Condition, No Cracks, No Chips, No Restoration.

An 18thC Chinese Famille Rose Coffee Cup Decorated With Pomegranates.
Circa 1760.
Tiny rim nibble.
 

 


A Pair Of 18thC English Delft Blue And White Tiles Painted With Shepherds In A Landscape With Boulders.
129mm Square.
Circa 1760.
The Backs Ground And Mounted With Cork Suspension Devices.
Good Condition.
 

 


An 18thC English Delft Blue And White Tile Painted With A Well Before Sailing Ships.
125mm Square.
Circa 1760
The Back Fitted With A Cork Suspension Device.
Good Condition.

 


An 18thC English Delft Blue And White Tile Painted With A Seated Shepherd And Stylized Sheep.
125mm Square.
Circa 1760.
The Back Fitted With A Cork Suspension Device.
Good Condition.

A Decorative George III English Porcelain, Coalport, Cylindrical Coffee Can Painted With Alternating Panels Of Flowering Plants And Salmon Pink Above Gilded Garlands.
60mm High.
Not Marked, Circa 1810.
 

A George III English Porcelain , Cylindrical Coffee Can Painted With Birds And Flowerheads On A Brick Red Ground.
62mm High.
Incised "B" Mark, Barr Worcester, Circa 1792.
Immaculate Condition.
 

A George III English Porcelain , Cylindrical Coffee Can Gilded With Key Pattern Rim And Gilded Cracked Ice On A Salmon Pink Ground.
60mm High.
Impressed Crown And "BFB" Mark, Barr Flight Barr Worcester, Circa 1810
Immaculate Condition.
 

A George III English Porcelain , Cylindrical Coffee Can Gilded With Scrolling Foliage And Seed Pods On A Salmon Pink Ground.
60mm High.
Impressed Crown And "BFB" Mark, Barr Flight Barr Worcester, Circa 1810.
Immaculate Condition.

A George III English Porcelain , Cylindrical Coffee Can Gilded With Repeating Panels Of Foliage Above Pendant Ornament On A Salmon Pink Ground.
60mm High.
Impressed Crown And FBB Mark, Flight Barr Worcester, Circa 1825.
Immaculate Condition.

 


An 18th Century German Faience Blue And White Two Handle Oval Dish Painted With A Basket Of Flowers, The Border With Repeating Panels Of Cell Pattern And Scrolling Foliage.
387mm Wide x 235mm Deep
Circa 1760.
One Handle Restored

An 18thC Chinese Export Octagonal Famille Rose Meat Plate Brightly Painted With Scattered Peony And Chrysanthemum, Gilded Cell Pattern Cavetto And Comlex Border.
420mm Wide x 336mm Deep.
Circa 1760.
Extensively Broken And Restored.

A Pair Of Early 19thC English, Hilditch, Cups Ad Saucers Printed And Enamelled In Bright Polychrome Colours Of Blue, Aubergine, Yellow, Orange, Leaf And Turquoise Green With Chinese Characters In A Fenced Garden, One Incongruously Clutching A European Harp, Another With Parasol, A Basket Of Washing On The Lawn.
Circa 1820.
Mint Condition, Delightful!

A Pair Of Early 19thC English Chinoisserie Bone China Cups And Saucers Printed And Coloured With Chinese Characters Tending To Dogs And Birds In A River Landscape
Circa 1830.
A Small Hairline Crack To The Rim Of One Cup, All Pieces Resonant To The Touch, No Chips Or Restoration, Pretty Good Condition.

An Early 19thC English, Hilditch, Cup And Saucer Printed And Enamelled In Bright Polychrome Colours Of Blue,  Pink, Yellow, Orange And Leaf  Green With Chinese Characters In A Fenced Garden Before A Draped Pavilion.
Circa 1820.
Mint Condition, Delightful!

A Small Early 19thC English Earthenware Cup And Saucer Printed With Chinese Characters And Pets Before A River Landscape With Sampan.
Circa 1830.
Good Condition

An Early 19thC English Chinoisserie Earthenware Small Cup And Saucer Printed And Coloured With Chinese Characters In A Fenced Garden Before A Pavilion, The Rims With Purple Lustre.
Circa 1820.
Good Condition, The Print Not Well Defined, Original Underglaze Chips.

A Victorian Cup And Saucer Painted With Classical Ruins, The Rims Lavishly Gilded.
Circa 1850.
Good Condition.

A Victorian Cup, Saucer And Plate Printed And Coloured With Chinese Style Vases Of Flowers.
Circa 1860.
Good Condition.

A Late 18thC Chinese Export Porcelain Octagonal Circular Blue And White Soup Plate Painted With A Mountainous River Landscape Featuring Trees, Buildings, Fenced Gardens  And Sampans, The Shaped Rim With Panels Of Flowering Foliage.
226mm Diameter.
Jiaqing, Circa 1800.
A Tiny Rim Chip Otherwise Excellent Condition,
Resonant To The Touch.

A Pair Of Late 18thC Chinese Export Porcelain Blue And White Small Shaped Circular Dessert Bowls Painted With Trees, Buildings, Bridges, Boulders And Sampans In River Landscapes, Diaper Cavettos And Multi-Element Complex Borders.
Jiajing, Circa 1800.
156mm Diameter.
One With 35mm Rim Hailine Crack. One Wih Central Star Crack, Neither Obvious And Only Visible Under Scrutiny, Resonant.

A Late 18thC Chinese Export Porcelain Blue And White Small Shaped Circular Dessert Bowl Painted With Trees, Buildings, Bridges, Boulders And Island River Landscape, Cell Cavetto And Foliate Border.
Jiajing, Circa 1800.
159mm Diameter.
Excellent Resonant Condition,
A Couple Of Completely Innocuous Glaze Flakes Mentioned For Accuracy Only.

A Charming 18thC Chinese Famille Rose Export Porcelain Shaped Circular Saucer Painted In Bright Overglaze Poychrome Enamels With A Butterfly And Flowering Foliage, The Cavetto And Rim With Underglaze Blue Flower Sprays And Diaper.
121mm Diameter.
Qianlong, Circa 1760.
Couple Of Tiny Rim Nicks, Resonant, The Enamel Decoration Pristine And Not At All Rubbed.

A Late 18thC Chinese Export Porcelain Blue And White Saucer Painted With Pagodas, Junk And An Island With Bridge In A River Landscape, The Rim With Repeating Daggers.
126mm Diameter.
Qianlong, Circa 1780.
Several Unobtrusive Hairline Cracks, Dead To The Touch.

A Wellington Simmonds & Osborne Crock Of Typical Form And Palette; Retains Original Stopper, Cork Snapped In Tap, Lacks Swing Handle; Good Condition.
340mm High Excluding Stopper.

Simmonds & Osborne commenced trading from 46a Adelaide Road in 1905. In 1914 they opened a branch in Petone. Branches also opened in Auckland and also Australia.

The company went into liquidation during the depression, and was taken over by Thomson Lewis & Co. Ltd. in 1933. The Simmonds & Osborne name was retained for a short time after the take-over.

Simmonds & Osborne primarily used one gallon crocks to store their produce, making use of crock manufacturers from New Zealand (P. Hutson), Australia (Fowler) and England (Pearson and Price). The crocks were delivered door to door by horse and cart initially then later by trucks.

 

A 19thC Chinese Green Glazed Earthenware Hexagonal Ginger Jar Of Typical Form, Each Of The Side Panels Moulded In Relief With Fruiting Foliage Including Pomegranate: Lacks Cover, Together 2 Others Smaller.
121mm High x 97mm Base Diameter.
Circa 1850.
Good Condition, Tiny Glaze Losses Mentioned For Accuracy Only, Very Pleasing Glaze Dribbles At The Base


 

A 19thC Chinese Small Blue And White Porcelain Flat Circular Box.
61mm Diameter.
Circa 1860.
Excellent Condition, Probably For A Lady’s Use.

 

A Delightful Pair Of 18thC Chinese Famille Rose Fan Shape Dishes Painted With Elegant Ladies And An Attendant With A Sun Umbrella On A Pole, The Rims Gilded.
158mm Wide x 122mm Deep x 29mm High.
Qianlong, Circa 1750.
One With A Small Rim Chip, The Other With A Small Section Of The Rim Broken And Restuck Together A Rim Chip And Rubbed Gilding; Both With Superb Original Painted Enamel Decoration - Exquisite Colours Sensitively Rendered.

 

A Set Of 6 Chinese Kangxi Style Blue And White Porcelain Teabowls And Saucers Of Slightly Lobed Form Painted With Formal Flowerheads And Foliage, The Base With Small Artemisia Leaves Within Double Rings.
Saucers 128mm Diameter, Teabowls 56mm High x 83mm Diameter.
In The Kangxi Style But Probably Qing, Circa 1850.
5 Teabowls Excellent Condition, 1 Teabowl With Shallow Rim Crack; 2 Saucers Perfect, 2 With Faint Hairline Cracks, 1 With Out Of Sight Teeny Rim Chip Under The Rim, 1 Saucer With Visible Rim Chip.
$650 The Lot, Perfect Pair $450 Or Some Other Combination By Negotiation.

 

A Chinese Qianlong Period Imari Palette Circular Dish Painted In Underglaze Cobalt Blue And Overglaze Iron Red With A Central Lotus Beneath Flowering Foliage With Gilded Highlights, The Rim With Repeating Panels.
219mm Diameter.
Circa 1780.
Excellent Condition, Couple Of Teeny Rim Flakes, Rings Like A Bell.

 

An 18thC Chinese Provincial Blue And White Circular Dish Painted With A Loose Display Of Flowerheads And Foliage Echoed At The Rim Between Banded Cavetto, The Rim Chocolate And The Reverse Sparsely Decorated About A "Shop" Mark.
228mm Diameter x 42mm High.
Qianlong,
Small Rim Chip About 18mm,
Resonant, Very Pleasing Soft Colour, Modern Suspension Device.
 

An 18thC Chinese Provincial Blue And White Circular Dish Painted With A Long Legged Phoenix Roundel And A Wide Band Of Loosely Painted Foliage Beneath A Chocolate Rim; Square "Shop" Mark To Reverse.
256mm Diameter x 60mm High.
Qianlong,
Small Visible Rim Chip About 16mm x 10mm., Resonant, When Held In The Right Light The Well With Visible Signs Of Glaze Wear.
 

A Near Pair Of Late 18thC Chinese Export Porcelain Blue And White Small Octagonal Dessert Bowls Painted With Trees, Buildings, Bridges And Sampans In River Landscapes, Cell And Diaper Cavettos Respectively, Foliate Rims Similarly Variant.
Jiajing, Circa 1800.
149 And 156mm Diameter.
Excellent Unblemished Condition.

An Early 19thC English Bone China Jug Printed With Chinese Characters In A Rural Lanscape.
117mm High.
Circa 1840.
Excellent Condition.
 

An Attractive Early 19thC Flight Barr & Barr Worcester Dessert Bowl Painted And Gilded In An Imari Palette With Chrysanthemums And Peony; Mounted For Suspension.
200mm Diameter.
Impressed Factory Mark, Circa 1820.
Excellent Condition.
 

A Massive And Rare George III Early 19thC Mason's Ironstone Circular Octagonal Hydra Mug With Scaly Serpent Handle Incorporating Mask Terminal And Everted Base, Painted In Bright Polychrome Colours Including Underglaze And Overglaze Blue, Iron Red, Turquoise And Leaf Green.
167mm Diameter x 224mm Wide Across Handle x 135mm High.
Impressed And Printed Marks, Circa 1815.
Some Minor Flaking To The Overglaze Enamel Colours, Otherwise Excellent Condition.
 

A Large George III Early 19thC Mason's Ironstone Octagonal Hydra Jug With Scaly Serpent Handle Incorporating Mask Terminal; Painted In An Imari Palette Of Underglaze Cobalt Blue And Overglaze Iron Red With Gilt Highlights, The Handle With Green Sides.
214mm Wide Across Handle x 222mm High.
Impressed Factory Mark, Circa 1820.
Good Condition With To Be Expected Glaze Flakes, Especially To The Handle, Large, Quite A Statement, Love The Impressed Mark - Sinks Right Into The Body.

A 19thC Mason's Ironstone Octagonal Hydra Jug With Scaly Serpent Handle Incorporating Mask Terminal; Painted In A Bright Famille Rose Palette With Chinese Characters In A Garden Reserved On A Yellow Cell Pattern Ground.
105mm Wide Across Handle x 134mm High.
Printed Factory Mark, Circa 1820.
Good Condition

A George III Early 19thC Small Mason's Ironstone Octagonal Hydra Jug With Scaly Serpent Handle Incorporating Mask And Split Paw Terminals, Painted And Gilded In The Desirable "Old School House" Pattern.
120mm Across Handle x 106mm High.
Relief Mark Only, Circa 1820.
Excellent Condition.

A Victorian Mocha Quart Mug With Plain Strap Handle With Acanthus Terminals, Blue Banded Rim, Mushroom Ground With 4 Trees And Continuous Shrubs And Everted Base.
155mm High.
Circa 1880.
Some Crazing And Staining, A Little Dull To The Touch, No Chips, No Cracks, No Restoration.

A Victorian Mocha Quart Mug With Plain Strap Handle With Acanthus Terminals, Blue Banded Rim And Mushroom Ground With 2 Trees.
156mm High.
Circa 1880.
Good Condition, No Chips, Cracks Or Restoration, Dull To The Touch.

A Victorian Mocha Pint Mug With Plain Strap Handle With Acanthus Terminals, Blue Banded Rim, Grey Ground With 3 Trees 126mm And Everted Base.
126mm High.
Circa 1880.
Some Crazing, No Chips, No Cracks, No Restoration, Resonant To The Touch.

A Victorian Mocha Pint Mug With Plain Strap Handle, Blue Banded Rim And 3 Trees; Bears Etched Verification Mark.
123mm High.
Circa 1880.
Good Condition, A Little Dull To The Touch.

A Victorian Mocha Pint Mug With Plain Strap Handle With Acanthus Terminals, Blue Ground With Three Trees And Everted Base.
128mm High.
Circa 1880.
Chipped To Rim And Foot Rim, Dull To The Touch.

An Excellent Pair Of Late 18thC Chinese Export Porcelain Blue And White Plates Painted With  Mountainous River Landscapes Featuring Trees, Buildings, Bridges And Sampans, The Shaped Rims With Butterflies And  Foliage And Diaper And Cell Pattern.
239mm Diameter.
Jiaqing, Circa 1800.
Excellent Condition, Resonant, Couple Of Rim Nibbles Mentioned For Accuracy Only.
 

A Highly Decorative Victorian Hexagonal Stoneware Garden/Conservatory Pedestal, Each Side Moulded In High Relief With Scantily Draped Putti Musicians Astride A Foliate Scroll Cornucopia.
495mm High.
Not Marked But Most Reminiscent Of Doulton Lambeth Stoneware, Circa 1890.
A Couple Of Footrim Chips And Associated Shallow Cracks - Inconspicuous Defects, Nothing At All To Worry About, Totally Stable, Very Heavily Potted.
 

A Charming Pair Of Early 19thC Treacle Glazed Stoneware Sash Window Rests Modelled As Women Busts Featuring Flower Adorned Headdresses, The Bases Domed.
115mm High.
Probably Yorkshire, Circa 1825.
One With Not Visible Internal Footrim Chip And Small Associated Hairline Crack, Otherwise Good.

An Early 19thC Spode Plate Printed And Painted With Chinese Inspired Peony And Lotus Flowers.
217mm Diameter.
Printed Underglaze Blue Felspar Porcelain Mark, Circa 1830.
A Section Of The Rim Broken And Restuck, Still Resonant, The Enamel Decoration A Little Rubbed Altho Still Bright.

A Rare And Delightful Pair Of 18thC Dutch Delft Small Waisted Ocatgonal Vases And Fixed Covers Painted With Flowering Foliage.
155mm High.
Circa 1780.
Minor Rim Frits And Chips To Be Expected On Earthenware Of This Type.

A 19thC Meissen Plate Painted With Flower Sprays, The Shaped Rim Gilded.
222mm Diameter.
Underglaze Blue Crossed Swords Mark, Circa 1840.
 

A Victorian English Bone China Imari Palette 2 Handle Sauce Tureen And Square Dish Painted And Gilded With Vases Of Flowers And Flowering Foliage, A Church Beyond, The Borders Lavishly Gilded.
Unmarked, Likely Spode, Circa 1850.
The Tureen 206mm Wide Across The Handles x 94mm High, The Dish 225mm Square.
The Tureen Lacks Cover, Excellent Condition, Colours And Gilding Pristine, Resonant To The Touch.

An Excellent Late 18thC Chinese Export Porcelain Blue And White Rice Bowl Painted With A Continuous River Landscape Featuring Trees, Buildings, Bridges And Sampans, The Chocolate Rim With Flowering Foliage And Diaper, The Plain Interior Slightly Fluted.
120mm Diameter.
Jiaqing, Circa 1800.
Excellent Resonant Condition With No Signs Of Wear/Damage Whatsoever.
 

An Excellent Late 18thC Chinese Export Porcelain Blue And White Rice Bowl Painted With A Continuous Mountainous River Landscape Featuring Trees, Buildings, Bridges And Sampans, The Chocolate Rim With Hatched Foliate Border, The Plain Interior Slightly Fluted.
117mm Diameter.
Jiaqing, Circa 1800.
Excellent Resonant Condition With No Signs Of Wear/Damage Whatsoever.
 

An Attractive 18thC Chinese Export Octagonal Blue And White Soup Plate Painted With Bamboo And Peony In A River Landscape.
217mm Diameter.
Qianlong, Circa 1770.
Small 50mm Rim Hairline Crack, Couple Of Tiny Rim Nibbles, Resonant To The Touch