Peter Wedde Antiques
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A Fabulously Patinated 17th/18thC Chinese Tibetan Carved Stone Head Of A Buddha With Typical Serene Expression.
130mm High.
Over 1.7 Kilos
Palpable Glow Of Age

 
A 19thC Grand Tour Bronze Figure Of A Near 850.850.Naked Male Athlete With Outstretched Arms On A Sphere Above A Circular Stepped Oak Base.
193mm Wide x 175 High.
Indecipherable Signature.
Circa 1850.
Good Condition.

 
A Late Victorian Figure Of A Naked Crouched Athlete On A Rectangular Stand Above A Shaped Rectangular Alabaster Base.
130mm Wide x 146mm High.
Circa 1900.
Good Condition.

 
A George III Desk Seal With Carved Agate Handle And Metal Mount With Intaglio Perched Bird.
75mm High.
Circa 1820.
Excellent Condition.

 
A Pre-European Columbian Red Terracotta Pot With Metal Stand.
380mm High x 450mm High In Stand.
Circa 1400.
Stable Crack, A Few Rim Chips, Decent Size, A Useful Decorative Item For A Country Interior.

 
A Decorative George III Bleached Oak Carved Shield Shape Armorial Device Carved With Scroll Work, The Centre With A Generous Wheat Sheath.
275mm Wide x 268mm High.
Circa 1820.
Suspension Rope To Reverse, This Will Look Stunning On A White Wall.

A Large 19thC Chinese Sectional Carved Rootwood Figure Of A Fisherman And Companion, The Rootwood Forming The Hat, Garments And Base, Faces And Limbs Carved, The Larger Older Figure With A Cheerful Countenance, His Younger Companion With A Similarly Happy Expression.
950mm High To Top Of Head (Excluding Fishing Rod) x 550mm Wide At Widest Point Of Base.
Circa 1880.

Provenance : Perrine Moncrief

For nearly 50 years Perrine Moncrieff was this country's foremost female conservationist. Born into an upper-class British family, she immigrated to New Zealand in 1921, settled in Nelson and bought land on the shores of Tasman Bay, which became a scenic reserve in the 1930s. In 1942, to celebrate the three-hundredth anniversary of the discovery of New Zealand by Abel Tasman, the reserve was designated as Abel Tasman National Park. This was Moncrieff's greatest conservation achievement. She served on the park board until being required to stand down at age 81. A founding member of the New Zealand Native Bird Protection Society (1923) and the New Zealand Ornithological Society (1940), she campaigned successfully for reservation of land at Lake Rotoroa and Maruia Springs, and for designation of Farewell Spit as a bird sanctuary. She also donated a large area of coastal bush at Okiwi to the Crown as a reserve. Her popular guide to the identification of New Zealand birds, published in 1925, was a standard reference for some 40 years. She was an honorary wildlife ranger for 15 years, tramped extensively in the Nelson region and elsewhere in the South Island, and she wrote many articles at home and abroad. (See also her biography on the Dictionary of New Zealand Biography website.)

 
A Victorian Copper Pot With Cover, Heavy Duty Side Lifting Handles, Exposed Rivets And Seam.
205mm High x 232mm Diameter
Circa 1850.
Good Well Used Condition.

 
A Victorian Pewter One Pint Tapering Cylindrical Mug With Plain Scroll Capped Handle, Rolled Rim And Girdle.
112mm High.
Stamped VR And Other Touch Marks, Circa 1`850.
Good Condition, Good Colour, Knocks And Scuffs Commensurate With Age, Local Estate, Cheap.

 
A Georgian Pewter Baluster 1/2 Pint Measure With Capped Double Scroll Handle And Spreading Circular Foot.
78mm High.
Circa 1830.
Touch Marks, Mishapen Rim, Original Condition With Good Colour, Cheap.

 
An Art Deco Gent's Wrist Watch In Nickel Case With Leather Case.
Not Going

A Small 18th/19thC French Watercolour Of S Regina In A Gilded Frame.
The Frame 155mm x 128mm.
A Decorative Little Painting.

 
An Exceptionally Large Victorian Beech Butter Mould Of Conventional Form With The Scots Thistle Carved Mould Encased Within An Outer Cylinder.
132mm Diameter x 137mm High.
Circa 1860.
Excellent Condition With Traces Of Old Defunct Borer And A Shallow Totally Stable Crack.This Is Really Large, Never Seen One This Size.

 
A Most Decorative Pair Of 19thC Large Mother-Of-Pearl Natural Form Dishes With Chinese Silver Mounts Formed As Butterflys And Ball Feet.
193mm Wide x 31mm High.
Excellent Condition.

 
An Early 19thC Dollond Brass And Mahogany 3 Pull Navigational Achromatic Telescope.
648mm Extended.
Stamped "Dollond London Day Or Night."
Circa 1820.
Well Patinated Condition, Lacks Lens And Eye Covers So Modestly Priced.
Dollond Are Recognised As Being Makers Of Fine Quality Telescopes.

 
A Rare Pair Of George III 18thC Squat Brass Candlesticks With Knopped Stems And Spreading Shaped Circular Feet; Faint Seams.
140mm High.
Circa 1760.
Good Condition.

 
A George III Early 19thC Set Of Brass Nesting Weights, The Large Weights Each Stamped On The Inside With A Coffee Pot, The Symbol Of The City Of London.
Complete, Circa 1820.
Fabulous Patination, Lovely Weight In The Hand.

 
A Victorian Hinged And Folding Mahogany Cased Carved Bone Travelling Chess Set.
The Case 252mm Wide x 125mm Deep x 68mm High Folded.
The Case In Excellent Condition With Original Brass Hardware, Lackiing 3 Red Pawns And 4 White Pawns.

 
Hall Thorpe, Australian, 1874-1947.
A Pair Of Coloured Art Deco Woodblock Prints Featuring Yellow Cowslips In A Grey Vase And Primulas In A Blue Vase.
190mm x 170mm
Ebonised Frames.
Both Signed Bottom Right.


John Hall Thorpe (29 April 1874 – 8 October 1947), invariably known as Hall Thorpe, was an Australian artist who achieved considerable success in England with his decorative prints of flowers, fruit and landscapes.
Thorpe was born in Sandridge, Victoria and when quite young the family moved to New South Wales, finally settled in Sydney, where he was educated at St John's Grammar School, Parramatta. He studied at the Society of Arts and was briefly employed at the Illustrated Sydney News. He learned the trade or craft of woodblock engraving as an apprentice on John Fairfax's Sydney Mail from 1891. When zinc replaced wood as the engraving medium, he became a staff artist, succeeding Norman Hardy as their principal artist in 1897.He was a member of the (Sydney) Society of Artists, and showed successfully alongside the likes of G. W. Lambert, Sid Long, Dattilo-Rubbo, J. S. Watkins, Edith Loudon, Mildred Rivett, Tom Roberts, W. F. Hughes, C. Lloyd Jones and Howard Ashton.

In 1898 he had several paintings shown at the Grafton Galleries' "Exhibition of Australian Art" in London, and in May 1900 left for England, his position on the Mail having become tenuous with the advent of photo-engraving.He attended Heatherley’s School of Art and developed a distinctive style of colored woodcut prints. He exhibited at the Royal Academy's Colonial Exhibition in 1906 alongside Arthur Streeton, G. W. Lambert, Albert Tucker, Edith Lumley and Hayley Lever. A breakthrough came when he received a favorable notice from eminent critic M. Camille Mauclair. Around this time he changed direction and resuscitated his hard-won skills as a woodblock engraver, producing the large, bold bright colorful prints for which he became famous. One of these, A Country Bunch, at 25 by 30 inches (64 by 76 cm) was possibly the largest woodblock color art print ever published. He took control of the whole process; engraving, printing and publishing from his studio at 36 Redcliffe Square, and gallery at 32 Sussex Place, South Kensington, and the results found their way into many homes on both sides of the Atlantic, as well as art collections of the Contemporary Art Society, British Royalty, and the Victoria and Albert Museum. The response to his designs could by summarised by a couple of American critics:

"They are not great works of art; they are intimate pictures. They sing out from a white wall, recalling a walk through a garden or a day with Nature" and "His work is consistent in its dignity, its strength, and its happy related colour ... He is never abstruse nor exaggerated, but he emphasises the grace of forms and the joyousness of pure fresh colour."

Thorpe became a household name in the field of home decoration and was a strong influence on fashions in wallpaper design. Over time his work fell out of fashion but a revival from the 1980s has renewed interest in his work.

He caught pneumonia and died at Bexhill-on-Sea in 1947.

 
Hall Thorpe, Australian, 1874-1947.
A Coloured Art Deco Woodblock Print Of Orange And Yellow Marigolds With A Ladybird In A Green Vase.
245mm x 300mm
Signed In Pencil Bottom Right, Additional Printed Copyright Information Centre Dated 1925.

John Hall Thorpe (29 April 1874 – 8 October 1947), invariably known as Hall Thorpe, was an Australian artist who achieved considerable success in England with his decorative prints of flowers, fruit and landscapes.
Thorpe was born in Sandridge, Victoria and when quite young the family moved to New South Wales, finally settled in Sydney, where he was educated at St John's Grammar School, Parramatta. He studied at the Society of Arts and was briefly employed at the Illustrated Sydney News. He learned the trade or craft of woodblock engraving as an apprentice on John Fairfax's Sydney Mail from 1891. When zinc replaced wood as the engraving medium, he became a staff artist, succeeding Norman Hardy as their principal artist in 1897.He was a member of the (Sydney) Society of Artists, and showed successfully alongside the likes of G. W. Lambert, Sid Long, Dattilo-Rubbo, J. S. Watkins, Edith Loudon, Mildred Rivett, Tom Roberts, W. F. Hughes, C. Lloyd Jones and Howard Ashton.

In 1898 he had several paintings shown at the Grafton Galleries' "Exhibition of Australian Art" in London, and in May 1900 left for England, his position on the Mail having become tenuous with the advent of photo-engraving.He attended Heatherley’s School of Art and developed a distinctive style of colored woodcut prints. He exhibited at the Royal Academy's Colonial Exhibition in 1906 alongside Arthur Streeton, G. W. Lambert, Albert Tucker, Edith Lumley and Hayley Lever. A breakthrough came when he received a favorable notice from eminent critic M. Camille Mauclair. Around this time he changed direction and resuscitated his hard-won skills as a woodblock engraver, producing the large, bold bright colorful prints for which he became famous. One of these, A Country Bunch, at 25 by 30 inches (64 by 76 cm) was possibly the largest woodblock color art print ever published. He took control of the whole process; engraving, printing and publishing from his studio at 36 Redcliffe Square, and gallery at 32 Sussex Place, South Kensington, and the results found their way into many homes on both sides of the Atlantic, as well as art collections of the Contemporary Art Society, British Royalty, and the Victoria and Albert Museum. The response to his designs could by summarised by a couple of American critics:

"They are not great works of art; they are intimate pictures. They sing out from a white wall, recalling a walk through a garden or a day with Nature" and "His work is consistent in its dignity, its strength, and its happy related colour ... He is never abstruse nor exaggerated, but he emphasises the grace of forms and the joyousness of pure fresh colour."

Thorpe became a household name in the field of home decoration and was a strong influence on fashions in wallpaper design. Over time his work fell out of fashion but a revival from the 1980s has renewed interest in his work.

He caught pneumonia and died at Bexhill-on-Sea in 1947.

 
A Charming Pair Of Late Victorian Gilt Metal Water Nymph Figures With Entwined Leaf Headdresses, Each Clutching A Cornucopia And Raised On A Rectangular Rouge Marble Plinth Base.
90mm Wide x 62mm Deep x 95mm High.
Circa 1900.
Excellent Condition

 
A Victorian Rosewood Hinged Box With Metal And Mother-Of-Pearl Stringing And Brass Lock With Ivory Escutcheon, The Interior Later Fitted For Jewellery With Lift Out Tray.
275mm Wide x 179mm Deep x 103mm High.
Circa 1870.
Good Condition

 
An Impressive Pair Of Large Victorian Brass Door Knobs Of Domed Dodecagonal Form With Circular Plates Featuring Gadrooned Edges, Both With Original Iron Square Section Pins.
The Knob Handle 107mm Diameter.
Circa 1860.
Perfect For A Large Pair Of Front Doors.

 
An 18th Century Dutch Brass And Copper Shaped Rectangular Hinged Tobacco Box, The Well Patinated Cover And Base Engraved With Well Worn Scenes Of Biblical Inspiration Including Christ With Cross On The Road To Calvary Together With Dutch Script.
134mm Wide x 59mm Deep x 44mm High.
OK Condition With Couple Of Pin Prick Holes And Old Leaded Repair To The Interior.

 
An Early 20thC Tudric Pewter Hinged Rectangular Table Cigarette Box With Hammered Domed Cover, Thumb Piece And Cedar Lined Interior.
173mm Wide x 90mm Deep x 70mm High.
Stamped "English Pewter Made By Liberty & Co." And Numbered 01021.
Good Condition, Nice Original Colour - Why People Buff And Polish Old Pewter Is Beyond Me, Ideal Gents Box For Cufflinks, Change Etc.

 
A Plain George III Mahogany Truncheon With Ring Turned Handle.
434mm Long.
Circa 1800.
Brilliant Colour.

 
A 19thC Builders Boxwood Two Fold 24 Inch Ruler With Brass Mounts And Iron Tips: Stamped "Sampson Aston Maker Birm* Warranted Best Box."
Excellent Original Untouched Condition.

 
A Set Of Victorian Brass Postal Scales And Weights On Mahogany And Ebony Stained Base.
168mm Wide x 102mm Deep x 98mm High.
Circa 1890.
Complete Weights, Original Untouched Grubby Condition.

An Elegant Victorian Sprung Brass Letter Clip Modelled As A Well Defined Hand Featuring Knuckles, Ring And A Braceleted Cuff On A Textured Plate.
132mm Long.
Circa 1870.
Excellent Condition With Firm Sprung Mechanism.

An Elegant Victorian Sprung Nickle Plated Letter Clip Modelled As A Well Defined Hand Featuring Nails, Knuckles, And A Braceleted Cuff On A Textured Iron Plate.
109mm Long.
Circa 1870.
The Plate Marked "The City Clip JW&Co Ltd London."
Excellent Condition With Wear Commensurate With Age.

An Elegant Small Victorian Sprung Brass Letter Clip Modelled As A Well Defined Hand Featuring Nails, Knuckles, Ring And A Braceleted Cuff On A Textured Plate
82mm Long.
Circa 1870.
Excellent Condition With Firm Spring.

An Elegant Small Victorian Sprung Gilt Metal Letter Clip Modelled As A Well Defined Hand Featuring Nails, Knuckles, Ring And A Braceleted Cuff On A Textured Plate.
97mm Long.
Circa 1870.
Excellent Condition With Firm Spring.

An Elegant Victorian Sprung Brass Letter Clip Modelled As A Well Defined Hand Featuring Nails, Knuckles, Ring And A Braceleted Cuff On A Textured Plate.
133mm Long.
Circa 1870.
Excellent Condition With Firm Functioning Spring.

At Victorian Sprung Brass Letter Clip Modelled As A Hand Featuring A Cuff On A Plain Plate.
131mm Long.
Circa 1870.
Good Condition With Firm Spring.

An Elegant Victorian Painted Metal Small Sprung Letter Clip Modelled As A Well Defined Hand Featuring Nails, Ring And A Braceleted Cuff On A Textured Plate.
93mm Long.
Circa 1870.
The Paint Worn, Firm Spring.

A Most Decorative Victorian Sprung Cast Brass Letter Clip Modelled In Relief With The Royal Arms, The Registration Date For 1843 And Makers Mark Of Merry, Phipson & Parkers With Hobnail Back Plate.
181mm Long.
Excellent Condition.

A Well Carved 19thC Meiji Period Japanese Boxwood Netsuke Formed As A Kneeling Man In Loin Cloth, A Rat Perched On His Shoulder.
33mm Across Base x 44mm High.
Signed.
Exceptional Patination, Excellent Condition.

An Early 19thC Continental, Probably Swiss, Treen Screw Action Nut Cracker Carved As A Scowling Gentleman Wearing A Jacket And Hat.
140mm Long.
Circa 1830.
Small Losses To Terminal, Stable Splits Along The Grain, Great Colour.

A Small 19thC Chinese Carved Ivory Card Case Similarly Carved Each Side With Characters Beneath Full Foliage Trees Within Arabesques.
85mm x 46mm
Circa 1860.
Good Condition

An Early Victorian Burr Elm Puzzle Snuff Box Of Rounded Rectangular Form With Double Swivelling Top And Button Agate Pin.
108mm x 54mm x 31mm.
Circa 1840.
Excellent Condition, Great Patination.

A Victorian Mahogany Puzzle Snuff Box Of Rectangular Boat Form With Double Swivelling Lid, Metal Pin And Boxwood Cross.
99mm Wide x 38mm Deep x 55mm high.
Circa 1850.
Excellent Original Condition.

 
A Victorian Mahogany Writing Slope With Simulated Brass Mounts And Brass Escutcheon.
294mm Wide x 198mm Deep x 106mm High.
Circa 1860.
Lacks Key, Good Condition, Knocks And Scuffs Commensurate With Age.

 
A Roman Bronze Mask Of The God Cupid With Round Cherub Like Features, Probably A Furniture Mount.
42mm Wide x 40mm Across.
Circa 150 AD
Excellent Condition, Good Green Patina, Good Facial And Hair Details.
Provenance : English Private Collection.

 
A Roman Bronze Phallus.
47mm Long.
Circa 100 AD.
Good Condition, Lacks Suspension Loop.
Provenance : Purchased On The European Market In The 1930s.

 
A Small Viking Medieval Period Bronze Cruciform Pendant With Suspension Ring.
33mm Long x 26mm Wide.
Circa 1100 AD.
Good Well Condition.

 
A Very Smart Early Victorian Tortoiseshell Sewing Box Of Shaped Rectangular Form With Hinged Top, Ivory Mounted Vacant Interior With Mirror, Shield Shape Nickel Silver Escutcheon Engraved "Maggie Clow Aug 3 1865," Nickel Silver Escutcheon And Raised Squat Bun Feet.
225mm Wide x 165mm Deep x 115mm High.
The Lock Lacking, The Interior Formerly With A Lift Out Tray, Original Brass Hinges, An Old Repair To The Reverse, Very Attractive Well Figured Tortoiseshell Which Is Essentially In Good Condition With Very Good Colour.

 
A Nest Of 3 Victorian Pewter Game Covers With Beaded Handles And Rims And Suspension Rings.
403mm, 316mm And 260mm Wide Respectively.
Maker JG Graves, Sheffield.
Circa 1860.
Couple Of Dings To The Large One, Otherwise Pretty Good Condition, Great Colour, Useful To Have The Suspension Rings - Look Great On A Kitchen/Dining Wall.

 
A Victorian Pond Yacht, The Elfin, Planked With Keel And Fully Rigged With Original Hardware; Additional Rigging In Canvas Bag, Rudimentary Stand.
1435mm Wide x 310mm Deep x 1680mm High.
Circa 1900.

 


A Massive Victorian Copper Stewing Pot With Cover With Two Handles And Further Handles To The Body With Exposed Rivets.
313mm High x 300mm Diameter.
Circa 1850.
Excellent Well Used Condition.

 
A Pair Of Late 17thC English Carved Oak Panels, Formed As One, Carved With Draped Voluminous Lady Figures Framed With Leafy Scrollwork, One Holding Naked Children, Probably Emblematic Of Charity, The Other With Open Book And Long Quill, Possibly Emblematic Of Literature.
530mm x 239mm.
Circa 1680.
Excellent Condition, Extremely Decorative.

 
A George III Late 18thC Horn And Brass Oval Eye Glass, The Brass Mounted Pinned Glass With Swivel Action.
59mm Wide x 52mm Deep.
Circa 1790,
The Glass Scratched, Otherwise Excellent Original Condition.

 
A Victorian Walnut Octagonal Snuff Box With Unusual Sliding Action.
67mm Long.
Circa 1850.
Excellent Original Condition.

 
A Victorian Navette Shape Treen Puzzle Snuff Box With Double Sliding Pinned Cover Enclosing An Interior With A Puzzle Written On Paper.
97mm Wide x 47mm Deep x 29mm High.
Circa 1860.
Excellent Original Untouched Condition.

A 19thC Treen Turned Cherry Wood Cup On Squat Pedestal And Domed Circular Base.
101mm High.
Good Condition.

A Victorian Treen Turned Fruitwood Cylindrical 2 Section Cannister With Screw Thread; Retains Original Glass Bottle.
57mm Diameter x 110mm High.
Circa 1860.
Excellent Condition.

A Victorian Fruitwood Treen 2 Section Barrel Shape Cannister With Twist Action Cover.
44mm Diameter x 73mm High.
Circa 1860.
Couple Of Minor Rim Nibbles Otherwise Great Condition With Good Colour.

An Early 20thC Archibald Knox Design Tudric Pewter Jug Of Tapering Cylindrical Form, With Hinged Cover, Rattan Cane Handle And Relief Asymetric Art Nouveau Design.
203mm High To Top Of Handle.
Stamped "Tudric 0307 Rd 427010."
Original Colour, A Few Dings.

A Good 19thC Chinese Brass Tapering Square Section Inkwell With Hinged Cover Featuring A Cast Dragon, Brass Liner And Engraved Dragons.
60mm Square x 88mm High.
Circa 1880.

Price: $160.00

An Unusual 19thC Japanese Pierced Wood Knife Block Decorated In Low Relief With An Enchanting Gold Lacquered Cicada, The Block With 8 Steel Bladed Knives With Carved Ivory Handles; One Knife A 19thC English Replacement.
The Block 118mm Wide x 57mm Deep x 131mm High, The Knives About 206mm Long.
Circa 1900.
Good Condition, The Knife Handles With To Be Expected Cracks, The Blades Clean And Very Sharp.

 
A George III 1 Quart Baluster Pewter Tankard With Cappped Double Scroll Handle And Domed Spreading Circular Foot; Mongogramed And With Owners Name Under - Not Deciphered.
162mm High.
Circa 1820.
Grubby Original Condition With Slightly Misshapen Rim.

 
A Victorian Pint Baluster Mug With Capped Double Scroll Handle And Domed Circular Foot; Various Touch Marks
118mm High.
Circa 1850.
Grubby Original Condition.

 
An Edwardian Pint Baluster Mug With Capped Double Scroll Handle.
122mm High.
Circa 1910.
The Rim A Bit Misshapen.

 
An Early 20thC Pint Pewter Mug Of Tapering Cylindrical Form With Plain Handle.
125mm High
Circa 1920.

 
A 20thC Half Pint Tapering Cylindrical Pewter Mug Inscribed "Londonderry Cup 1961-62 International Sportmens Club."
95mm High.

A Pair Of Victorian 3 Piece Copper And Brass Ice Cream Moulds With Fitted Lid, Copper Strap Handle And Removable Brass Base.
Each Piece With Stamped Makers Mark For "James Bros Down St W."
112mm High.
Circa 1870.
Good Condition.

After Freezing The Ice Cream Mix In The Mould By Removing The Brass Foot The Ice Cream Bombe Is Released.

Traditional English three-piece ice cream bombe mold with fitted lid and copper strap handle with attached copper ring, and brass removable bottom. After freezing the ice cream mixture in the mold, by removing the brass foot the ice cream bombe is released. Stamped to both the mould and lid “Jones Bros, Down St, W” for its maker. They were considered good quality ironmongers from c. 1832- c 1900.

c. 1860

A Victorian Rectangular Brass Hinged Snuff Box With Inset Green Agate Cover And Base.
72mm Wide x 51mm Deep x 21mm High.
Circa 1860.
A Small Repair To The Base Agate, Otherwise Good Condition, Gorgeous Colour.

A Pair Of Early 18thC English Seamed Brass Candlesticks With Ejector Holes, Multi Knop Stems And Domed Octagonal Bases.
181mm High.
Circa 1720.
One OK, The Other With Torn Foot; Modestly Priced For The Aficiando Who Is Quite Happy To Accept Visible Damage From Something Made About 50 Years Before Captain Cook Sighted These Shores.

A Good George III Mahogany Cheese Coaster With Scroll Ends Featuring Carve Worls, Single Division And Original Brass Casters.
397mm Wide x 238mm Deep x 208mm High.
Circa 1800.
Couple Of Totally Stable Cracks, Very Good Colour.

A Delightful 19thC Continental Gilt Bronze Figure Group Of Pugs, One Seated And His Companion On Haunches.
85mm Wide x 69mm High.
Circa 1900.
Excellent Condition
 

A Rare Set Of 4 Victorian Milk Glass Ceiling Light Shades Painted With Roses And With Original Brass Fittings.
176mm diameter.
Circa 1900.
A rare survival.

RARE AND DECORATIVE.
A fine and original George III mahogany cheese coaster of typical boat shaped form with scrolling ends, turned boss decoration and origianl brass casters - hardly ever do we find these with their original casters.
Superb original colour.
Circa 1810
39cm wide

A George III Sterling Silver Mounted Horn Beaker Engraved With Mounted Huntsmen, Hounds, Fox, Gate And Buildings In A Country Landscape; The Mounts Apparently Not Marked.
Circa 1800.
Not Marked.

A Very Rare Late Victorian 9 Carat Gold Mounted Watch Case With Rococo Trellis Work To The Spandrels, Leather Case With Pull Out Easel With Gilt Tooled Label For "Wilson & Sharp Goldsmiths 139 Princes Street Edinburgh."
Full 9 Carat Gold Hallmarks For Birmingham 1900.
The Gold Case In Excellent Condition, Well Hinged With A Nice Crisp Action, A Little Minor Distress To The Velvet And Plush Lined Interior, An Ideal Case For An Heirloom Gold Watch.

A Late Victorian Copper Framed Hexagonal Leaded Glass Hall Lantern With Pierced Rim And Base, Coloured Glass Panels And Original Suspension Chains.
230mm Wide x 327mm High.
Circa 1890.
One Glass Panel With Small Loss, One Small Section Of Rim Missing, When It's Hanging You Will Not Notice A Thing.

A Pair Of George III Seamed Brass Ejector Candlesticks On Shaped Octagonal Bases; Lack Ejectors.
165mm High.
Circa 1780.

A Single George III Tall Brass Candlestick with Multi-Knop Stem And Gadrooned Square Base With Sunken Well.
237mm High.
Circa 1765.
Good Condition

An Exquisite Late 19thC Ivory Shoe Horn Of Typical Form.
191mm Long.
Gorgeous Matrix Grain, The Handle With Beginnings Of Patination, Excellent Condition.

A Near Pair Of 19thC Continental Pewter Circular Bowls With Rolled Rims And Wide Everted Handles.
260mm Across The Handles.
Circa 1850

A George III Pewter Plate With Flat Folded Rim; Touch Marks To Rear.
231mm Diameter.
A Bit Degraded.

A Victorian Mahogany Travelling Hinged And Folding Combination Chess And Backgammon Board With Backgammon Counters.
256mm Wide x 245mm Deep Unfolded.
Lacks Clasp, A Bit Rough Showing Signs Of Age, Quite Functional.

A Late Victorian Black Enamelled and Lacquered Brass Monocular Compound "Army"Microscope by J Swift & Son, with rack and pinion coarse and fine focusing, three objectives to the swivel turret, mechanical stage, mirror, on a swept U shaped base, with additional lense cases (lacking lenses) in a fitted case.

A Most Unusual Victorian Brass And Leather Bound Box With Blue Plush Lined Interior, Engraved Brass Mounts And Painted Porcelain Inset Top Formed As Pink Flowering Roses.
359mm Wide x 273mm Deep x 132mm High
Circa 1860.
Pretty Good Condition, One Section Of Rose Cracked.

A Decorative 19th Century Continental, Probably German, Enamelled Iron Ink Stand, The Inkwell Formed As A Carved Wood Spaniel, With Original Glass Liner.
370mW x 303mD x 133mH
Canine lovers delight.

A Silver Mounted Vellum Pocket Book Of Common Prayer, Formerly Sold By Philip Yeo Of Exeter, Carrying The Initials GH For The Original Owner Grace Harris, As Inscribed And Dated 1722; Published 1712.
One Silver Hasp Missing, Otherwise Not Bad Condition.

A 1712 silver mounted pocket Book of Common Prayer, by the University Printers, Oxford, sold by Philip Yeo of Exeter, owner's initials 'GH' (Grace Harris), 1722, subsequently in the Pidsley family

A Smart Victorian Rosewood Dome Top Stationery Box With Fitted Interior, Original Lock And Key; Bears Inset Brass Plaque For "Howell James & Co Regent Street London."
217mm Wide 115mm Deep x 162mm High.
Circa 1860.
Excellent Condition.

Howell James & Company were a firm of jewellers and silversmiths based in Regent Street in London which operated between 1819 and 1911.

The firm Howell and James was founded in 1819 by James Howell and Isaac James who were originally silk mercers and retail jewellers. The company had premises at 5, 7 and 9 Regent Street and was noted for the variety and quality of its stock. In 1838 James left the business and the partnership then became known as Howell James & Co. By 1865 the firm employed over 140 women, most of whom lived above the shop.[1]

The firm exhibited in London, at the Great Exhibition in 1851 and at the 1862 International Exhibition, and in Paris and the International Exposition of 1867. It sold items by students and designers of the South Kensington School.[2]

Price: $240.00

Price: $240.00

An Early 20thC Mahogany Cotton Reel Stand With Turned Handle, 6 Spool Stand And Ridged Circular Base.
271mm High.
The Handle Broken And Restuck.

A Good 19thC Cairo Ware Silver And Copper Inlaid Brass Dish Decorated With Islamic Script.
216mm Diameter.
Circa 1880.

A Late Victorian Mahogany Monaural Stethoscope.
173mm Long.
Chipped

A 19thC Cairo Ware Rectangular Brass Dish With Folded Rim And Islamic Script.
256mm x 102mm
Circa 1880.
Good Condition

A Pair Of Edwardian Monogramed Ivory Clothes Brushes.
The Brushes Worn But Still Nice And Tight With Life Left In Them

A Victorian Brass 3 Pull Telescope With Lens Cover.
155mm Long x 420mm Long Extended.
Circa 1860.
Good Colour And Patination.

An 18th Century English Pewter Plate With Folded Rim; Touch Mark To Rear.
247mm Diameter,
Very Nice Colour, Wear Commensurate With Age.

A George III Circular Pewter Plate With Rolled Rim; Touch Mark To Rear.
238mm Diameter.

A George III Pewter Plate With Flat Folded Rim; Touch Marks To Rear Including Quasi Hallmarks.
214mm Diameter.
A Bit Degraded.

A Late Victorian Tartan Ware "Prince Charlie" Hinged Rectangular Thread Box With Crib Board Top And Pape Label Inside For Clark & Co Anchor Thread, Paisley.
264mmW x 90mD x 41mH
Circa 1900, a little worn

Price: $160.00

An Exceptional 19thC Brass Furniture Handle Cast With Masks And Dolphins And Formed As A Plate And Drop Handle.
83mm Long.
 

A Large Victorian Mahogany Acorn Shape 2 Section String Holder With Thread Action And Wide Circular Foot.
Circa 1860
205mm High.
Old Repair To Foot; Colour To Die For.

A Rare Late 19thC Fruitwood Domestic Roulette Wheel With Ivory Spinner And Ebonised Bun Feet.
191mm Diameter x 84mm High.
Circa 1900.
Lacks Marbles.

A Tibetan Rectangular Prayer Book Cover Carved With Buddhas Within Niches; Traces Of Gilding.
409mm x 91mm
Circa 1900.
Good Condition.

An Early 20thC Tibetan Prayer Book With Painted Wood Boards And Pages Of Illuminated Text.
246mm x 86mm

An Early 20thC Ceylonese Porcupine Quill Hexagonal Work Box With Brass Lifting Handle, Ivory Inlaid Ebony Carcass, The Interior Featuring "Ceylon" And An Elephant.
89mm Wide x 95mm High.
A Few Small Pieces Missing From Base Corners.

A Late Victorian Tartan Ware Hinged Square Box, The Small Brass Clasp Lacking Hasp.
108mm Square x 50mm High.
Circa 1900.

Price: $60.00

A George III Black Lacquered Papier Mache Snuff Box With Faux Tortoiseshell Hinged Cover.
93mm Wide x 44mm Deep x 30mm High.
Excellent Condition.

A Vintage Mock Tortoiseshell Paper Knife Featuring An African Woman.
93mm Long.

A Tiny 19thC Fruitwood Seal Box Together With Another Larger Rosewood Seal Box

Four Various Early 19thC Cut Amber Glass Seals
Naked Apollo : $80
Mercury : $60
Seated Man : $40
Clear Glass : $30

A Victorian Common Prayer Book With Ivory Boards And Gilt Metal Mounts And Latch, The Cover With Applied Cross And Entwinded "h" - With Original Leather Case.
The Case 105mm x 72mm.
Dedicated To Queen Victoria, Circa 1880.
Excellent Condition

An Early 20thC Circular Ivory Bangle With Pronounced Grain.
Internal Diameter Approximately 63mm.
Tiny Internal Chip.

A Large 19th Century Flaring Cylindrical Horn Tumbler With Well Figured Grain And Turned Horn Base.
134mm High.
Circa 1850.

A 19th Century Variegated Horn Flaring Cylindrical Tumbler With Glass Bottom.
100mm High.
Circa 1860.
Cracked.

A 19th Century Variegated Horn Flaring Cylindrical Tumbler With Glass Bottom.
101mmm High.
Circa 1860.

Price: $95.00

An Early 20thC French Brass Cased Circular Pocket Compass With Suspension Loop; Marked "Made In France."
44mm Diameter.

Price: $385.00

A Decorative 19thC American, Cape Cod, Cast Iron 2 Handle Cauldron Shape Fire Starter With Brass Swing Handle, Domed Brass Cover And Wand.
195mm Across Handles x 205mm High.
Circa 1900.
Apparently The Cauldron Is Filled With Kerosene, The Wand Is Left Standing In The Kerosene, The Wand Is Lit And Inserted In The Fire! Original Condition.

A Victorian Cased 3 Piece Antler Handle Carving Set, The Steel Blade Knife Marked "Joseph Elliot & Sons Cutlers Sheffield."
Circa 1860.
OK Condition, The Knife Well Used.

A Very Rare Pair Of Early 19thC Circular Pressed Horn Snuff Boxes And Covers Decorated With Scenes Of Dandies Riding "The Hobby Horse" Or Velocipede, The Bases With A Circular Design Of Petals; Both Signed Bottom Left "Bradwell."
79mm Diameter.
Circa 1820.
Both In Pretty Good Condition Displaying Little Knocks And Scratches Commensurate With Age, One With A Small Section Of The Bottom Edge Of The Cover Missing. Very Rare To Find A Pair Of Snuffboxes.

A Mounted Assembly Of Georgian Red Wax Armorial Seals In Modern Octagonal Frame.
The frame 282mm diameter.

Price: $125.00

An early 19th Century English Silver Mounted Cowrie Shell Snuff Box With Flush Hinge And Engraved Monogramme.
The Silver Mount Not Marked.
Circa 1820.

Price: $480.00

A George III Early 19thC Silver Gilt Mounted Cowrie Shell Snuff Box With Flush Hinge, Engraved With A Bowl Of Fruit And A Bird Above Scrollwork; Monogrammed
"TE," "JE" And "NME."
66mm x 56mm.
The Silver Not Marked, The Interior Gilded.
Circa 1800.
A Small Tear To The Silver Mount Otherwise Pretty Good Condition.
These Silver Mounted Cowrie Shell Snuff Boxes Are Usually Associated With Mariners Returnig From The Tropics With A Treasure To Be Mounted By The Local Silversmith - The Really Desirable Examples Are Hallmarked With Scottish And Irish Provincial Marks. It Is Tempting To Think Of The Engraved Monograms Referring To The Mariner Husband, His Wife And Their Child - Perhaps Born Whilst He Was Overseas!

A Late 19thC New Zealand Colonial Small Hinged Crib Board With Brass Hasp, Burr Totara Sides, The Top With Various Woods Including Rewa Rewa And Perhaps Black Mairi And Puriri.
130mm Wide x 89mm Deep x 37mm Deep.
Circa 1880.

A Good Looking 19thC Mahogany Hinged Rectangular Surgeons Box Set With A Brass Escutcheon Engraved "Wm A Perston MD Surgeon;" Original Brass Latches, Hinges Escutcheon And Lock.
500mm Wide x 188mm Deep x 100mm High.
Circa 1850.
Excellent Condition, Attractive Figured Mahogany.

An Interesting Rimu Cheque For The Bank Of Australasia, Made Out For 1 Pound, Dated 29th July 1928, And Signed By Paul Verschaffeldt, Commissioner Of The Civil Service.
285mm x 77mm
Provenance :
Wagener Museum

Price: $350.00

A Late Victorian Barrel Shape Treen Money Box With Applied Photographic Print Of "Union St Aberdeen Looking E."
80mm High.

A Gorgeous Early 19thC Treen Baluster Pepper Shaker With Nice Tight Thread.
132mm High.
Excellent Condition.
 

An Early 19thC Treen Dice Shaker Of Hour Glass Form.
81mm High.

A Pair Of George III Early 19thC Bone Handle Iron Riding Boot Hooks Of Very Sturdy Construction.
226mm Long.
Circa 1800.
OK Condition, The Bone Handles With Age Cracks And Little Chips But Totally Stable.

A Superb Pair Of Edwardian Rectangualr Shape Glass Scent Bottles With Faceted Shoulders, Sterling Silver Mounts And Screw On Gold Inlaid Ivory Cover With Corked Interiors, Monogramed EJB?
London Circa 1900 (No Date Mark)
Andrew Barret & Sons, Piccadilly, London.
Excellent Condition.

On the subject of destroying all object d'art made from ivory, and in particular portrait miniatures painted on ivory, television presenter and antiques expert Philip Mould said: "The thought that, say, some of our most emotive miniature portraits of Nelson, Byron and the young Queen Victoria become persona non grata - artworks of shame for which there is no market - is up there with book-burning and recent cultural vengeance meted out on the buildings of ancient Syria."

An Exquisite Set Of 3 Late 19thC Graduated Cylindrical Ivory Boxes With Domed Circular Screw On Covers Featuring Gold Inlaid Monogram EJB? Within A Lozenge.
90mm, 65mm, 55mm Diameter x 108mm, 75mm, 65mm High.
Circa
Pristine Condition.

We Hope The Slaughter Of Elephants Will Cease Immediately, It Is A Scourge On Humanity, But Nonetheless Cannot Help But Be Entranced By The Seductive Power Of The Ivory Matrix, The Wavy Grain Clearly Visible To The Naked Eye, The Colour So Ivory. Exquisite!

A Totally Gorgeous Late 19thC Turned Ivory Hat Pin Stand With Central Slender Baluster Stem, Pierced Apertures, Fabric Covered Cork Mound And Weighted Circular Base; Marked "Hardy Bros Ltd Sydney Made In England."
156mm High.
Circa 1900.
The Ivory In Excellent Condition; The Fabric Distressed.

Yes, We All Know There Should Be Nothing That Encourages The Slaughter Of Elephants For Their Tusks, Deplorable In The Extreme, But To Our Mind That Policy Should In No Way Extinguish The Appreciation Of Old Worked Ivory Such As This. We Feel Prince William, Admirable Though His Campaign To Save The Elephants Is, Was Misinformed When He Declared All The Ivory In Buckingham Palace Should Be Heaped Into A Pile And Turned Into A Bonfire! Are We Going To Burn 13thc Islamic Chess Pieces, 18thC Japanese Netsuke, 19thC Dieppe Mirrors, Medievil German Saints? Of Course Not! Old Ivory Is Wonderful.

A Pair Of Late 19th Ivory Handled Glove Stretchers Together With A Matching Shoe Hook.
Circa 1900.
Excellent Condition.

A Decorative And Large 19thC Horn Handle Bronzed Copper Magnifying Glass.
291mm Long.
Circa 1860.
Excellent Condition.

A Good Looking 19thC Australian Marquetry Inlaid Box, The Top With Radiating Design And The Sides With Lozenges, Featuring Many Different Timbers, The Back With Well Figured Cedar.
300mm Wide x 227mm Deep x 144mm High.
Original Brass Hinges, Lock And Key, Pretty Good Condition With Minor Losses To the Back And Some White Filler To The Interior

A Mid 20thC Rewa Rewa Cased Ebonised Conductors Baton With Engraved Metal Mounts; Presentation Inscription "To Martin Wesley 1958."
The Baton 535mm Long.
Excellent Condition.
The Mounts Probably Unmarked Silver.

Michelangelo Meucci,
Florence, 1840-1890,
A Pair Of Oval Oils On Board Of Still Life Game Birds Tacked To Trompe L'oeil Pine Panels.
One Signed "M Meucci Firenze."
Both Approx. 200mm x 158mm.
Both With Original Carved Giltwood Oak Leaf Frames.
Small Crack To Top Of One Frame, The Paintings In Immaculate Original Condition, The Paint As Bright And Fresh As The Day It Was Applied.

A Very Rare 19thC Pollard Oak Apprentice Piece Tea Caddy In The Form Of A Break-Front Sideboard, Having A Stipple Carved And Scrolled Raised Back, The Hinged Top Lifting To Reveal Two Lidded Compartments, The Break-Front Facia With Applied Half Columns, On A Plinth Base.
25.5cm High x 30cm Wide x 20cm Deep

A Late Victorian Brass Wall Sconce With Milkglass Shade With Frilled Rim.
313mm Wide.

A Plain Early English Bronze Mortar.
106mm high x 130mm diameter
Circa 1800

An Early 20thC Treen Salt Pig With Back Shaped Back Board, Hinged Lid And Stave Front.
251mm high

A Small 19thC Circular Metal Seal Box, The Cover Cast With Musical Instruments, Sheet Music? And A Mask, Probably Emblematic Of The Performing Arts.
30mm Diameter.

An Attractive Early 19rhC Oval Snuff Box With Tooled Gilt Metal Mounts And Agate Cover And Base.
67mm Diameter

A Very Smart Pair Of Late Victorian Georgian Style Turned Mahogany Candlesticks With Detatchable Brass Sconces, Slender Baluster Stems, Carved Lower Knops, Circular Feet With Sunken Wells And Baized Bases.
345mm High.
Circa 1880.
Excellent Condition With Great Colour.

A 19thC Fijian Sperm Whale Tooth, Tabua, Pierced For Suspension.
125mm Wide.
Original Suspension Hole Broken, A Later Old Replacement Hole Drilled To The Other Side, Especially Good Colour And Patination.

A Late 19thC Chinese Bronze And Champleve Enamel Vase Of Archaic Inspiration With Animal Head Handles, Taotie Masks And Bands Of Polychrome Champleve Enamel.
240mm High.
Good Colour, Good Condition;
Associated Pierced Wood Stand.

A Set Of 3 Victorian Cardboard Cut-Outs Of Young Victorian Girls Painted In Pastels, Two Seated And The Other Standing With A Wheat Sheaf; All On Gilded And Ebonised Stepped Stands.
All Signed To The Reverse Geo Smith.
188mm Wide x 45mm Deep x 222mm High (The Tallest)

A Victorian Milchglass Cornucopia Vase With Brass Hand Shape Terminal And Cream Alabaster Base.
142mm Wide x 76mm Deep x 170mm High.
Couple Of Miniscule Nibbles to the Rim, The Base One Corner Slightly Chipped.

An Unusual George III Pierced Spherical Brass String Box With Overhead Cutting Blade And Domed Foot.
122mm High.
Circa 1800.
Good Condition
 

A 19thC Indian Bronze Horse On Oval Mound Base With Detatchable Lotus Leaf Sconce.
90mm Wide x 122mm High.
Circa 1850.
Excellent Condition

Treen : A Good Victorian Mahogany Double Ogee Bowl On Squat Pedestal And Circular Foot.
135mm Diameter x 103mm High.
Circa 1880.
Excellent Condition.

Treen : A Good Pair Of Victorian Mahogany Circlular Bowls With Slightly Everted Rims And Slightly Raised Bases.
177mm Diameter x 61mm High.
Circa 1880.
Excellent Condition.

Treen : An Unusual Set Of 6 Victorian Mahogany Cups And Covers With Tall Domed Covers, Squat Stems And Circular Feet.
192mm High.
Circa 1880.
Excellent Condition.

Treen : An Unusual Pair Of Victorian Chestnut Cups And Covers With Tall Domed Covers, Squat Stems And Circular Feet.
203mm High.
Circa 1880.
Excellent Condition

Treen : An Unusual Victorian Oak Cup And Cover With Tall Domed Cover, Squat Stem And Circular Foot.
193mm High.
Circa 1880.
A Small Ding To The Cover

Treen : A Strange Set Of 3 Victorian Cylindrical Vessels With Internal Nozzzles, Squat Stems, Circualr Feet And Stands.
116mm High.
Possibly Candlesticks Although They Would Be Impossible To Clean Of Wax - They Certainly Have Been Turned By Someone Very Competent But What He Intended I'm Not Sure.
Excellent Condition

A Georgian Rolled Gold Seal With Blank Carnelian, Pierced Vase Shape Mount And Split Suspension Ring.
32mm High Excluding Suspension Ring x 201mm Wide.
Lovely Worn Original Appearance Showing Age With No Condition Issues.

A Mid 20thC Glazed Rectangular Box Shape 9 Carat Gold Charm With Enclosed 10 Shilling Note, Inscribed "In Emergecy Break Glass."
9 Carat And 375 Marks Together With Makers Mark.
23mm Wide x 14mm Deep x 5mm High.
Weight : 2 Grams All In.
Excellent Condition

A Mid 20thC Rectangular Box Shape 9 Carat Gold Charm Modelled As A Match Box With Slide Out Drawer Containing Wax Matches, The Yellow Enamelled Cover With "British Made Matches."
18mm Wide x 13mm Deep x 6mm High.
Weight : 5 Grams All In.
Good Condition.

An Interesting 18thC Islamic Domed Metal Candlestick With Engraved Boteh And Drapery Ornament.
136mm High.

This Original 19th Century Quality Coffee Grinder Was Manufactured By Kenrick & Son Of West Bromwich Staffordshire. This Model Is The Rare Square Grinder No. 2, Made Of Cast Iron With A Brass Decorated Hopper And A Turned Exotic Wood Knob On The Grinding Handle. The Ground Coffee Is Collected In A Slide Out Drawer With A Brass Knob. An Oval Pressed Brass Nameplate Plaque Is Affixed To The Front Of The Mill And Reads: ‘A. Kenrick & Sons’, Above The English Coat of Arms And ‘Patent Coffee Mill’ Beneath. The Grind Size Can Be Adjusted By Turning The Regulator Screw (after removing the drawer and using a screw driver from the underside). The Archibald Kenrick & Sons Company Was Established In 1791 In Spons Lane, West Bromwich As a Quality Iron Foundry. It Is A Family Firm In Which Six Kenrick Generations Were Named As Directors. The founder Was Archibald Kenrick (1760 - 1835) And The Younger DIrector Is Martin John Kenrick (Born 1940).
104mm Square.
 

A Pair Of Early 20thC Brass Cased Port Bow Lights With Red Glass; Stamped "Port Bow Light Patt 2200 Birmingham Eng. Co. Ltd."
Circa 1900.
120mm Wide x 95mm Deep x 115mm High.
One With Cracked Glass.

A Small Georgian Bronze Mortar And Pestle Of Typical Form With Good Original Colour.
The Mortar 91mm High x 113mm Diameter.
Circa 1800.

A Small Georgian Bronze Mortar And Pestle Of Typical Form With Good Original Colour.
The Mortar 97mm High x 116mm Diameter.
Circa 1800.
 

A Most Decorative 19thC Rectangular Box And Lift Off Cover, The Whole Mounted With Collection Of Various 18th And 19thC Red Wax Seals Featuring Armorial Crests, Classical Portraits, Animals, Insects Etc, The Interior With A Further Collection Of Loose Wax Seals, Some Labelled And Of Classical Inspiration One With A Bust Of Lord Byron.
154mm Wide x 102mm Deep x 49mm High.
Very Decorative, Good Condition.

A Gorgeous, Well Patinated And Totally Original Victorian Iron Hand Bell With Clanger And Turned Mahogany Handle; Not Touched.
268mm High.
Circa 1860.
Excellent Condition.

An Enchanting Pair Of Regency Period Carved Limewood Demure Sphinxes, The Well Endowed Figures Seated On
Hindquarters; Originally Furniture Mounts.
Approximately 265mm Wide x 285mm High.
A Few Old Knocks And Splits, Nothing Serious, Unique And Very Decorative.

A Victorian Cast Silvered Metal Figural Tobacco Jar And Cover Modelled As A Severe Man With A Large Nose, His Hat Forming The Cover.
116mm High.

An Early 19thC Red Painted Lead Tobacco Jar With Domed Cover And Ball Finial.
203mm High.

A Dated George III Octagonal Lead Tobacco Jar, The Domed Cover With Acorn Finial, Monogramed WF And Dated 1805; Traces Of Old Paint.
143mm Wide x 93mm Deep x 163mm High

A Statuesque Early 19thC Iron Pedestal Urn Tobacco Jar And Domed Cover With Acorn Finial.
205mm High.

A 19thC Small Iron Circular Tobacco Box And Cover With Brass Finial.
100mm Diameter x 115mm High.

A 19thC Circular Lead Tobacco Box With Stepped Cover And Acorn Finial, The Side With Cast Cornucopia.
107mm Diameter x 149mm High
Extremely Heavy In The Hand.

A George III Octagonal Lead Tobacco Jar And Stepped Cover With Internal Cover.
135mm Wide x 82mm Deep x 176mm High.
Very Heavy In The Hand.

A 19thC Square Lead Tobacco Box Cast In Relief With Horses And Hounds, The Cover With Pineapple Finial.
903mm Square x 130mm High

A Small Georgian Sarcophagus Shape Iron Tobacco Box On Raised Feet, The Cover With Stepped Finial.
115mm Wide x 66mm Deep x 90mm High

A Small Georgian Sarcophagus Shape Iron Tobacco Box, The Cover With Acorn Finial.
129mm Wide x 76mm Deep x 104mm High.

An Elaborate Victorian Shaped Lead Tobacco Box Cast With Bust And Scroll Supports, The Cover With Swan Finial.
149mm Wide x 73mm Deep x 165mm High.

A Georgian Rectangular Iron Tobacco Box With Canted Sides, Base With Shaped Apron And Domed Cover With Circular Finial.
105mm Wide x 82mm Deep x 142mm High.

A Georgian Sarcophagus Shape Lead Tobacco Bow With Shaped Apron, The Cover With Complimentary Finial.
106mm Wide x 85mm Deep x 135mm High.

An Early 19thC Cast Lead Circular Tobacco Jar And Domed Cover With Negroid Finial And Traces Of Green Paint.
119mm Diameter x 115mm High.

A 19thC Painted Sheet Iron Cylindrical Tobacco Jar And Cover With Pierced Domed Cover, Ball Finial With Swing Handle, Rivets And Scroll Feet.
127mm Diameter x 231mm High.

An Architectural Early 19thC Faceted Hexagonal Tobacco Box And Cover With Complimentary Finial, Stem And Base.
109mm Wide x 184mm High.
A Terrific, If Somewhat Lopsided, Shape.

A Small 19thC Octagonal Cast Iron Tobacco Jar With Slightly Domed Cover, Cherubic Mask And Everted Raised Feet.
86mm Wide x 75mm Deep x 100mm High.

A George III Painted Lead Octagonal Tobacco Jar With Slightly Domed Cover, Negroid Finial And Internal Cover.
160mm Wide x 90mm Deep x 133mm High.

A George III Painted Lead Oval Tobacco Jar With Domed Cover, Finial And Foliate Ornament, The Sides With Cast Ribbon Tied Garlands Featuring Neptune And A Sailing Ship Flanking A Shield With A Hung Horse.
147mm Wide x 97mm Deep x 145mm High.
Old Repairs And Damage, The Cover Ill Fitting.

A Victorian Hinged Folding Games Box With Chess And Draughts To The Exterior And Backgammon To The Interior Together With Full Sets Of Backgammon And Draughts Counters And Dice.

A Victorian Spherical Ivory Sewing Weight With Thread Action Cover And Pierced Suspension Device.
Sphere 34mm Diameter.
Gorgeous Well Patinated Ivory.

A 19thC 2 Section Thread Action Cylindrical Bone Needle Case Carved In Relief With Dragons.
Circa 1900.
157mm Long.
A Couple Of Small Losses And Some Small But Stable Cracks.

A 19thC 2 Section Cylindrical Composition Ivory Lookalike Needle Case With Silver Mounts.
The Silver Not Marked.
109mm Long.
Good Condition With To Be Expected Wear And Tear.

An Early 20thC Cased Dorcas Size 6 Thimble Stamped With Charles Horner And Dorcas Marks.
Excellent Condition.

An Early 20thC Turned Wood Acorn Shape Needle Case With Beginnings Of Good Patination.
45mm Long.
Excellent Condition.

An Early 20thC Treen Souvenir Spool Case With Thread Action Revealing 3 Spools, The Exterior Painted With" Ville Franche", The Finial Inserted With A Tiny Viewer Depicting Yachts.
86mm Long.
Good Condition.

A Victorian Carved Ivory Miniature Cricket Bat With Black Ribbed Handle.
98mm Long.
For The Man Who Has Everything!

A Tiny Victorian Nickel Mounted Magnifying Glass With Finely Turned Ivory Handle Pierced For Suspension.
52mm Long.

A Victorian Ivory Cigar Knife With Blank Cartouche, Cutting Aperture, Steel Blade And Pricker; The Steel Pricker Stamped "Cigar Knife."

A Strange Victorian Ivory Ruler With Finely Engraved Numbers And Scales; Function Unknown.
152mm Long.

A Strange Early 20thC Plastic Ruler, Function Unknown.
190mm Long..

A Victorian Mother-Of-Pearl Fruit Knife With Shield Shape Escutcheon Monogramed "EF," The Blade Marked "Sheffield Stainless."
75mm Long.
One Side Cracked.

A Late Victorian Mother-Of-Pearl Twin Blade Fruit Knife, The Blades Stamped "George Wostenholm Sheffield England."
Small Piece Of Mother-Of-Pearl Missing.
60mm Long

A Good Early 20thC Tortoise Twin Blade Fruit Knife, The Blade Stamped "Victorinox Switzerland Stainless Rostfrei."
73mm Long.
Nice Crisp Action.

A Small 19thC Circular Ivory Vinaigrette With Screw On Cover And Pierced Grill.
19mm Diameter

A Good Looking Edwardian Mahogany Brass Bound Coopered Bucket With Swing Handle And Applied Wood Handle.
367mm Wide x 280mm Deep x 282mm High.

A Georgian Base Metal Seal, The Octagonal Base Mounted With An Intaglio Carved Wheat Sheaf.
34mm High.

A Magnificent And Rare Georgian Amboyna Brass Mounted Artists Box With All Over Broad Brass Mounts, Recessed Military Style Brass Handles, Lower Drawer With Key And Lock, Fitted Interior With Various Contents Including Small Ivory And Ceramic Palettes, Mixing Trays Etc.
335mm Wide x 247mm Deep x 132mm High.
The Smartest Box I've Seen In Over 30 Years In The Trade

An Extremely Rare Georgian Mahogany Brass Mounted Artist's Box With Flush Recessed Military Style Handles And Fitted Interior With Various Artist's Supplies.
407mm Wide x 322mm Deep x 125mm High.
A Superb Box For The Connoisseur.

A Victorian Pewter Inkwell With Original Glazed Earthenware Pot, Pierced Inner Rim For Quills And Wide Flat Circular Base Presumably For Stability - Difficult To See This Inkwell Overturning.
198mm Diameter.
Circa 1870.
The Pot With Not Visible Under Rim Chip, Otherwise Nice Original Patinated Condition.
 

A Victorian Baluster Copper Jug With Double Scroll Handle And Mask Spout.
151mm High.
Circa 1860.
Original Condition
 

A Good Victorian Walnut Jewellery Box With Engraved And Pierced Brass Mounts With Ivory Inserts And Fitted Lift Out Tray.
276mm Wide x 202mm Deep x 108mm High.
Circa 1880.
The Interior A Little Worn. For Every 100 Writing Slopes We See We Might See 1 Jewellery Box - They Are Scarce.

A Good Cased Pair Of Victorian Glass Scent Bottles And Stoppers, The Green Leather Case With Engraved Brass Top Plate And Escutcheon, The Interior Purple Plush And Purple Velvet Lined; Key, But Lock Not Functioning.
115mm Wide x 71mm Deep x 111mm High.
Excellent Condition.

A George III Mortgage Written In Ink On Vellum Fro 600 Sterling With Original Wax Seals, Signed John Mornington And Dated 1814.
Excellent Condition.

Price: $140.00

A William IV Indenture Written In Ink On Vellum With Original Wax Seal, Signed Henry King And Dated 1834
Excellent Condition.

Price: $140.00

An Early Victorian Mortgage Written In Ink On Vellum For 1250 Sterling With Original Wax Seal, Signed Charles Dendney And Dated 1857.
Excellent Condition.

Price: $140.00

A Victorian Mortgage Written In Ink On Vellum For 200 Sterling With Original Wax Seal, Signed Henry Fuller And Dated 1814.
Excellent Condition.

Price: $120.00

A Victorian Mortgage Written In Ink On Vellum For 900 Sterling With Original Wax Seals, Signed Edmund Perry And Dated 1894
Excellent Condition.

Price: $120.00

A Pair Of 18thC French Equestrian, Dressage, Copper Plate Engravings In Modern Burr Wood Frames.

This pair of 18thC French equestrian engravings originates from: 'The Encyclopedie ou Dictionnaire raisonne des sciences, des arts et des metiers, par une Societe de Gens de lettres.' which was published under the direction of Diderot and d'Alembert, with 17 volumes of text and 11 volumes of plates between 1751 and 1772. It contained 72,000 articles written by more than 140 contributors. This encyclopedia was a massive reference work for the arts and sciences, as well as a means to propagate the ideas of the French Enlightenment. The impact of this encyclopedia was enormous.

Artists and Engravers: Denis Diderot (1713-1784) was a French philosopher, art critic and writer. Jean le Rond d'Alembert (1717-1783) was a French mathematician, mechanician, physicist and philosopher. These plates are engraved by J.A.Defehrt and Bonaventure/Benoit-Louis Prevost after J.R Lucotte or Goussier.

___________________________________
 

Price: $450.00

A Victorian Beaded Glass Light Shade With Copper Gallery
143mm Diameter x  223mm High.
A Few Beads Missing, Not Major, Presents Well.

Price: $120.00

A 19thC Gold Nugget Stick Pin.
Apparently Cobb River.
Weight : 5 grams

Price: $385.00

An Early 20thC Chinese Ivory Cigarette Holder
Engraved And Stained With A Peacock, Pine And Minute Character Marks.
129mm Long.

Price: $120.00

A Victorian Brass Mirrored Wall Sconce With Mask, Circular Mirror And Twisted Brass Candle Branches With Griffin Terminals.
350mm x 262mm.
Circa 1870.
Excellent Condition.

Price: $550.00

A 19thC Treen Food Dish With 2 Bays And Loop Handle.
282mm Long.

Price: $160.00

Price: $1,200

Price: $220.00

Price: $90.00

Price: $350.00

Price: $2,850.00